#9 The Smile: Wall of Eyes

The kind of dialogue that they want to engage in is one that’s black or white. I have a problem with that. It’s deeply distressing that they choose to, rather than engage with us personally, throw shit at us in public. It’s deeply disrespectful to assume that we’re either being misinformed or that we’re so retarded we can’t make these decisions ourselves. I thought it was patronizing in the extreme.

Thom Yorke explains their stance on Israel to Rolling Stone 2017/06/02

Strap yourself iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiin!!!

Apart from the Joe Biden and the Neonazis, few people have as long and as enduring an affection for the state of Israel as the fellas from that there Radiohead. And I can kinda appreciate their reasoning, at least more than I can Nick Cave’s pathetic fanboy “OMG! This is the bar where Jesus shot Gredo first!” or whatever the fuck. It’s even arguable whether, without Israel, Radiohead would have even made it to a second album after the ridiculously of-its-time posh boy grunge karaoke of their debut.

Alaa Murad Ali Binat

Necessary Evil 2019 (82-80)

82 Le Makeup: Aisou

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That cover intrigues me. If we move the camera back, will we just see Keisuke Iiri with his arm’s out wide pulling a roll of cling film over his face? It’d ruin the illusion somewhat, wouldn’t it?

Listen, I have no fucking idea who this guy is. His name is Keisuke Iiri, his Twitter seems to suggest that he’s legitimately Japanese, and he’s made one of the most accomplished and sonically arresting dance albums of 2019. That’s all. This is awesome, I’m awesome, you’re awesome, and Le Makeup are awesome.

Keisuke, if you’re reading this, keep it up.

Metacritic: n/a

Continue reading “Necessary Evil 2019 (82-80)”