#31 The Koreatown Oddity: ISTHISFORREAL?

Oh my fucking God! I neeeeeeeeeed this! You know you occasionally get braindead recommendations from hack critics (y’know, basically all of them apart from me that attempt to review or define music by blindly suggesting situations that the music might suit?

Sure you do, they’ll say stuff like “This new Taylor Swift is ideal for just reclining in a sofa enjoying an eggnog latte at your favourite artisan coffee place”, or “You’ll want to experience the new Tanya Tagaq while you commit cultural genocide on your country’s indigenous people”, or “Slap on this latest ANGEL_TECH when you feel truly goated with the sauce”. Well, Koreatown Oddity’s latest should come with the sticker “Just perfect for cleansing the palette after discussing horrific American war crimes at length“.

NOT A *SINGLE* WAR CRIME ON THIS RECORD

#45 Taylor Swift: Midnights

This post might actually be my last. It’s been fun. Occasionally.

OK, if you haven’t been following the news recently, I might have to give you a quick primer. I get it, don’t worry, it can be a nasty world out there and sometimes we have to attempt to protect our own mental health by not even engaging with the horror, I completely understand if you aren’t up on possibly the biggest story of late 2022. Trigger warning, this might be the most upsetting. Remember a few days ago when I posted my Pusha T post? Fifty second best album of the year? Not bad, right? Sure not as high as the near top five placing that Rolling Stone had (bafflingly) deemed it worthy of, but then I’ve certainly been questioning if it’s actually better than Alvvays, Lykke Li, The Smile or Big|Brave, so… it all works out? I dunno, whatever, that’s where the album fell. Was it a particularly good post? Hmmmmmmnot especially. I didn’t spend anyway near the time on it that I dedicated to Tanya Tagaq or Arcade Fire, for instance, but likely because there weren’t any sexual assaults or cultural genocides to discuss. I mentioned how Pusha’s lyrics often don’t convey what he thinks they do, which I would have liked to delve into more given the time. As a post in general though, particularly when compared to my best work, it was definitely m-m-m-m-m-m-m-m-m-m-m

Yes! It’s getting more and more difficult to use that MJF meme, but – bah Gahd! – I still manage it!

THIS IS ALREADY AMONG YOUR BEST WORK

Legit Bosses: 2021’s 121 Greatest Songs

You know it’s all about that boom! Legit Bosses, baybay!*

(*yeah, that song isn’t actually included. It’ll be on Legit Bosses 2022 though! I’m just a bit slow with these things…)

So, only 121 this year, a marked decline on 2020’s 125. So was it a notably worse year? Absolutely chuffing not. Despite the 2.928% drop in numbers, the quality on show is outstanding. Never mind the weight, feel the quality. The top maybe twenty songs especially are on some next level shit, and you haven’t seen so many GOATs since you traumatically happened upon Weird Uncle Colin’s problematic porn collection back in 92. I also shaved a few songs last minute, mainly because they were from albums due to be released in 2022 and I decided to make them Next Year Alex’s problem. Also, one or two I realised… weren’t… actually… that… good… So that just means the 121 that made the cut are all of such spectacular quality that you may want to warn the people around you before you start reading this list, as the floor between your legs is about to get soaked.

No, no, hey, maybe it’s you that’s too gross, ever considered that??

Anyway, let the festivities begin, here are the playlists:

Spotify

YouTube

Continue reading “Legit Bosses: 2021’s 121 Greatest Songs”