When I first heard ‘Devotion’ I was blown away by it. I had never previously heard of her, and only bonked into her album during one of my financially and mentally draining BandCamp trawls. She didn’t exist. I had read no reviews or even mentions of her in the world of online music journalism. Yet here she was. And she was perfect. I got very excited. I had discovered her and would now be the spark that lit the wider press adoration that fired her to the very top. She would be my artist.
‘Devotion’ is a pretty spectacular album, and I was looking forward our trip to the top together. I pictured her mentioning my name in her acceptance speech after winning her first Brit/VMA/Emmy/Oscar/Mercury/Nobel prize in 2025, as someone who had ‘always been there’ for her. She’d even invite me to sing backing vocals on Dismal Affordable Beams, track seven off her 2023 album ‘Pigs! Pigs! Fucking PIGS, Motherfucker!‘, as being a longtime devotee of my art* naturally meant she was well-aware of my exceptional singing ability. I mean, the track isn’t very well received (like, at all), but it means that I can now boast of appearing on a platinum record. And, yes, some deeper feelings are quite obviously always going to blossom between two people who work so closely and are so deeply in awe of each others art*. Laura would even proposition me one night, but I’d say I could never take advantage of a woman who’d been drinking gin and snorting ketamine for the last six hours straight, and I wouldn’t want to jeopardise what had by that point grown into one of the most artistically and financially successful partnerships in all of music. This honesty, and my sheer integrity, would cause Ms Jane to burst into tears, and she’d apologise for even putting me in that position as she falls into my embrace. I pat the back of her head, and say that I still love her, and that I would help her beat the debilitating drug addiction that I’ve just decided she has. I mean… I’d probably say no… depends how lonely I was feeling…
Continue reading “36 Laura Jane: Devotion”
Moses Sumney Makes My Nose’s Bum Wee
Music journalism is such bullshit, isn’t it?
I mean, sure, write an incisive piece of what the success of From Earth With Love unexpectedly meant for the people of Lappeenranta, Finland in 1997. That probably comes close enough to proper journalism for the other writers at your office not to laugh at you and flick bogeys at you when you’re trying to eat your dinner.
Or maybe just write gushing pieces about how The Rolling Stones used to make 14 year old groupies eat their own faeces while they pissed on them and hi-fived, before pushing the young groupie so hard against the floor that she couldn’t breathe- choking in the mixture of piss, shit and blood from her nose that broke in the collision with the floor- and then all did lines of cocaine off her back. God, there used to be proper rock stars back in the day, didn’t they?? How often do you think frickin’ Twenty One Pilots do that?? The pussies wouldn’t have the stomachs! I mean, that groupie almost definitely didn’t die, did she?
You can only interview bands that you think are great and that we’d enjoy listening to. Perhaps their story will put their music in sufficient context for us to properly appreciate the songs? Don’t interview a band you hate and tell them how shit they are: you are not Lestor Bangs blowing the fucking minds off some sheltered faux superstars, blinded by the shining of the walls of their ivory towers, you’re just a prick who’s really irritating Snow Patrol. These artists are clever enough to understand how life isn’t a zero sum game, they are aware that some people don’t like their music, but they’ve decided to cater to those that do, those that have been throwing money at the band for years, people who had their first wedding dance to Chasing Cars.
Yes, these people are fucking idiots, but part of growing up is recognising that telling idiots that they’re idiots is not an honourable pursuit. However, me telling you that you’re a pathetic edgelord dingus is entirely necessary.
Continue reading “17 Moses Sumney: Aromanticism”