#32 Lupe Fiasco: Samurai

I got these

Really neat (Really neat, really neat)

Very beautifully

Alliterated

Little battle raps for you

Samurai

OK, so mark it down: this is the first album that I’ve come to so far that I’ve rated way too low. This album’s fucking mega! And thirty-fucking-second?? Geddafuggardahere! Trust me, there are some stinkers lower down on this list.

Well… not stinkers, but… y’know

‘Cowboy Carter’ is still to come? Geddafuggardahere!

I have to say, ‘concept albums’ give me a bit of an ick. If you’re going to go all in, dress up a smurfs, sing all the lyrics in n’avi, and get James Cameron to pilot you to the bottom of the ocean to record the whole album in one whole live take before the deep ocean pressure causes the submarine to explode, killing everyone on board, instantly, that I can respect. Like, I don’t even know what ‘concept’ you’re going for there, and I guess it’s a shame you didn’t survive to edit the Genius entry, but by gahd I respect the dedication!

Mayar Jamal Jaber Abu Musbih

“I’ve Been Calling it ‘Depressive Suicidal Pop Music'”; Don’t Do It Neil Wanna Know What Dragon Tastes Like

You should all absolutely already know this by now, but Philadelphia’s Don’t do it, Neil was already a bit fucking special. Mabel Harper has long managed to combine a Weeknd-esque ability to document the seediness and pain behind revelry and intimacy with an exquisite understanding of how right these wrongs sometimes feel that can sometimes rival Stock, Aitken and Waterman’s grasp of sheer pop bliss. Her songs often sound like the building pleasure leading towards an orgasm while having sex with someone you really shouldn’t, but always with the underlying anxiety of the size of the mess you’ll have to clean up after your messy climax. This has been quite the opening paragraph, hasn’t it?

Worryingly, there were moments in the last couple of years involving suicidal thoughts and hospitalisations that might have led to the brilliant B/X album being her final record. However, Mabel managed to survive and process the experience, and today sees the release of her new album ‘I WANNA SEE WHAT DEATH IS LIKE‘, adding new perspectives on death, grief and mortality to an artist whose personal circumstances already made her one of the rarest perspectives in pop music. As soon as I heard of its release, I had to request an interview. Which meant only one thing.

The carrier pigeon

Yeah, I know, the handwriting’s terrible, but in my defence I asked my personal carrier pigeon (Twattori) to write it himself, so my hands are clean on this one. Unfortunately, Twattori did not survive the journey and so was unable to reach Philadelphia to deliver the message. He didn’t even survive long enough to leave the UK. In fact, he didn’t make it 50 metres from my window. Because I shot him. Seriously, did you see that handwriting? Mabel would never talk to me if she saw that. Christ, Twattori was such a prick wasn’t he?

So I just hit her up on Twitter. I was going to blow her mind with questions she’d never been asked before.

Firstly, and I’m sorry for being the 65’703rd person to ask you this question, but why ‘Don’t do it, Neil’?

In the movie Dead Poets Society, there was a kid named Neil who seemed pretty gay to me. Just a really sweet boy who discovered his love of acting only to have his passion ripped away from him by his father. Long story short, Neil kills himself during the climax of the movie, and it was really, really devastating to me. So “Don’t do it, Neil” means, “Don’t do it, Neil, don’t kill yourself.”

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