Overweight and Out of Date? 30 Years Ago, The Manic Street Preachers Escaped From Their History With Everything Must Go

Two months ago I was out having a drink in London. And someone says to me, ‘How can you be out having a drink?’ I say, ‘What the fuck are you on about?’ He says, ‘If I was you I’d be in my room chopping myself up by proxy for Richey.’ People think they know how they’d react if they were his friend. But I don’t feel that I’d been Richey’s friend at that point, because you didn’t have a clue what had happened at all. There were no equation.

JDB to the NME 1996/05/11

THE PURE MOTIVE

It’s an origin story that now seems as notorious and as recognisable as Bruce Wayne’s parents being gunned down in Crime Alley. Yaddayaddayadda, eve of American tour, yaddayaddayadda, Vauxhall Cavalier found parked on Severn Bridge, yaddayaddayadda, not seen since February 1st 1995. And if I were to map out the disappearance of Richey Edwards (the band’s co-lyricist, Minister of Propaganda, and “guitarist”) here again in detail you’d probably let out a groan at the waste of time similar to that you’d release were the next Batman film to feature of yet another scene explaining what happened to Thomas and Martha. Also, I don’t want to victim blame, Mr and Mrs Wayne, but ‘Crime Alley’? What did you think was going to happen?

The band would be forced to deal with the emotional devastation of the never solved disappearance of its central member and the members’ childhood friend for the rest of their career. Though, even by the point of that missed flight to the US, Richey Edwards had long been taken from them. ‘The Cult of Richey’ may not have been named as such yet (and, as far as I can tell, may well have first been coined by Manics bassist Nicky Wire to refer to the hysteria around Richey’s disappearance in 1996), but it really began to form following Richey’s hospitalisation just before the release of ‘The Holy Bible‘. And then that album was released – with its largely Richey-penned lyrics that perfectly chronicled the overwhelming power of everything on our fragile and sensitive souls – and it was like, no, he’s ours now, you can’t have him. Even before Richey’s disappearance, fans would write into NME and Melody Maker expressing how deeply they understood his condition. Even suggesting that, maybe, only they know how to save him? And what was all Richey’s self-harm and self-destruction if not our saviour offering up his own sacrifices to atone for our sins??

The problem with being as talented as any artist in history at giving voice to the inner torments of humanity, is that people are going to start believing in real parasocial connections. How could they describe my feelings so well if we weren’t already so close??

But the problem with artists is that they have an infinitely frustrating tendency to move on and evolve far quicker than their audience.

ALL YOU SEE IS MORE AND MORE JUNK

40 Nicky Wire: Intimism

Life has been unfaithful
And it all promised so so much
I am a relic
I am just a petrified cry…

I see liberals
I am just a fashion accessory
People send postcards
And they all hope I’m feeling well
I retreat into self-pity, it’s so easy
Where they patronise my misery

La Tristesse Durera (Scream to a Sigh)

You all know the song. The third track on the Manics’ criminally underrated second album in 1993. I named it the second best Manics song ever in a 2021 post that’s the most read thing I’ve ever done (and will be the most read post of 2023). Which proves it’s correct. Because I’m a genius. I also named ‘Gold Against the Soul’ as the best album of 1992. Which is dumb. Because I’m a fucking idiot.

ALL OF MY DIAMONDS ARE DRIPPIN’ ON HIM

Love Their Mess and Adore Their Failures: Manic Street Preachers’ 100 Greatest Songs

Right, holy shit, so am I actually doing this…?

“Repeat after me…”

The Manic Street Preachers are the greatest rock band ever. That’s not an opinion, it’s a conclusion that I’ve reached and am now saying it loudly and not listening to any dissenting voices, which in 2021 counts as a ‘fact’.

Their greatness is… complicated… and not easy to explain in a simple intro to a blog post… These 100 tracks aren’t necessarily the greatest songs ever. Even as a pathetically dedicated Manics stan*, even I would argue that they’ve only ever released one indisputable, stone cold classic record from front to back (see if you can guess which one after you read the list!). They may have supernatural control over melodies and how best to ensure a chorus hits just there, but at the end of the day they’re just a rock band. They have never really challenged the very boundaries of music, never pushed things forward or necessarily introduced anything new sonically. I would argue that only one of their albums is truly challenging and experimental, rather than just being a break from what the band usually produce (yeah, it’s the same album…). I mean, Jesus, they once shamelessly released a song including the lyric “The world is full of refugees/They’re just like you and just like me“. That’s unforgivably bad, isn’t it? They can’t come back from that, artistically.

“You stand there and you think about what you’ve done”

(*I may occasionally use cool, groovy, young person lingo like ‘stan’ so you think I’m a hip young gunslinger. Not, y’know, old enough to be a Manics fan)

I’m not able to explain their magic here, but over the next one hundred (!) entries you’ll hopefully all have a better idea. It’s not as dominated by the 90’s as I was worried it might be, and every album is represented (apart from one. Because their tenth album is worse than Hitler). I’ve been wanting to find the time to do this for ages, partially inspired by the great What is Music podcast covering their entire discography and reminding me of how many big veiny stonkers this band had bulging out of their collective musical swimming trunks. They’re talking about Muse on that podcast now, a band for morons, so you only need to listen to the last season. My major blind spot is I don’t think they’ve done a decent b-side since 2001. Now, I’m sure I’m wrong, so please correct my ignorance in the comments. Tell me how wrong I am. Post your top tens. Your top hundreds. The Manic Street Preachers’ fan community is one of the greatest in the world, and no other band are as connected with their fanbase and feed off their adoration as much as The Manics. So let’s celebrate that by calling me a fat slut in the comments because I didn’t choose Little Baby Nothing.

If you don’t have time for such nonsense, here’s the Spotify playlist and here’s all the songs in order on YouTube.

And, er, you might wanna bookmark this page – motherfucker’s gonna be long. Your next 500 trips to the toilet are sorted.

Continue reading “Love Their Mess and Adore Their Failures: Manic Street Preachers’ 100 Greatest Songs”

Legit Bosses pt.3: The 40 Best Songs of 2020

Hey! Top forty ! This is a nice, normal, manageable list isn’t it? Should I maybe have just limited 2020’s best songs to this workable and succinct top 40 list? What, and not mention Wock in Stock or I Don’t Know, Burn Stuff? I’m not sure I’d ever be able to forgive myself.

That’s all the introduction you’re getting, parts one and two were more than enough foreplay, there are some absolute modern classics in this final countdown, and if you’re as half as surprised as me at what comes out on top…

Maybe, I mean, I still might change it…

#40 Fiona Apple: Under the Table

A very ‘Fiona Apple’ Fiona Apple song, but that is obviously entirely a Good Thing. Lyrically, it’s untouchable, with Ms Apple taking issue with dinner party conversation and refusing to be silenced (“Kick me under the table all you want/I won’t shut up…I would beg to disagree/But begging disagrees with me”). Amongst the barbed and often hilarious response to tension, she also manages to squeeze in some absolutely amazing lyrical asides:

I’d like to buy you a pair of pillow-soled hiking boots

To help you with your climb

Or rather, to help the bodies that you step over, along your route

So they won’t hurt like mine

I’m going to be really noncommittal and say that Under the Table is definitely one of the best lyrics of the year. Don’t make me choose. No, seriously, don’t make me choose, you know I’d just give it to a 1993 Manics’ lyric and ruin the legitimacy of the whole operation.#

Continue reading “Legit Bosses pt.3: The 40 Best Songs of 2020”

Cheap Tarnished Glitter: Manic Street Preachers’ Gold Against the Soul 27th Anniversary (??) Deluxe Reissue, Inspection and Reevaluation

“I like bands with a lot of fuck-ups, who flirt with disaster, it just shows that they’re fallible. All humans are fallible, after all. And we’re just a reflection Of that.”

Nicky Wire, The List, 1993

Firstly, let’s just fuck the room’s elephant in the ass and admit that there is really no deep logical point in this reissue. ‘Gold Against the Soul’ may have been released on June 21st, but that release came in 1993, and I don’t think there is a wider habit among the music industry for rereleasing albums on their 27th anniversary. This is a legitimate and gorgeously packaged celebration, yes, but the intentions of its release are simply financial- the band knows that they still have a pathetic, rabid and obsessive fanbase, who will jump at the chance to buy a lavishly packaged and expanded edition of one of the band’s less well regarded albums. Yes, including me. But let’s just stop and look at the optics here- here are the most viewed pages on the Necessary Evil blog this year:

(*fuck, I am so old. Like, properly, well-adjusted and responsible adults were born after this album was released. Your boss at work was born after ‘Gold Against the Soul’ was released! Your weird uncle Freddy’s girlfriend was born after this album was released, and she’s the oldest girlfriend he’s has since his 1998 divorce!)

This can mean only one thing: time to pander to all those pathetic Manics fans again!

Continue reading “Cheap Tarnished Glitter: Manic Street Preachers’ Gold Against the Soul 27th Anniversary (??) Deluxe Reissue, Inspection and Reevaluation”