Thirteen different artists have won Necessary Evil since it first started in 2007. Maybe fourteen, depending on your take on 2013’s infamous Arctic Monkeys/Hjaltalín controversy. No artist has ever finished first twice. Until now. 070 Shake’s ‘Modus Vivendi’ was the greatest album of 2020, and the 2022 follow-up is unquestionably the greatest album released this year, with its only viable contender being a 1982 masterpiece widely regarded as one of the greatest albums of all time. These are the only two albums she has released.
Top sixty baaaaaaybeeeeeee! Let’s ‘ave a fukkin paaaaaataaaaaaay!
Hahahaha! Yes! Been posting that exact meme for more than five years now! Aaaaaw, I feel all nostalgic now. I don’t want to give myself too much credit though, as I’ve only been using that classic bantz meme for five or six years, whereas Radiohead themselves haven’t released a good album for fifteen years now, so they’re obviously far more committed to their ‘bit’.
So yeah, Radiohead are one of my favourite bands, and I was really looking forward to this debut album by a band featuring Thom Yorke and Johnny Greenwood.
Dug-dug, da-der, da-dug-dug! Which song is that? See if you can guess. Want me to sing it again? OK, get ready: dug-dug, da-der, da-dug-dug! Need some more time to think? OK, I’m going to post a picture now, but after you’ve scrolled past that it’s officially time up and I’m going to give you an answer. What am I going to post a picture of? Dunno, maybe a dawn or some shit? Ooooh! No, it’s antidawn, isn’t it? So what’s the antithesis of dawn? Dusk? Yeah, I’ll post a beautiful picture of dusk. But remember, after you scroll past that picture the answer will be revealed, so only go there once you either have an answer or my devilish brain teaser has you officially stumped, OK? Dug-dug, da-der, da-dug-dug!
Give up? It was the sting from Shania Twain’s Man, I Feel like a Woman. Yeah, you all get it now you know the answer, ammi right?? This short exercise has absolutely no bearing on the remainder of the review, I just thought that this is the first post of the day and it’s always good to start off with a little brain exercise.
A synthesised orchestra bursts into life. And I mean bursts. If this were in a Disney movie and meant to signify the first buds of spring in some fantasy netherworld ruled by a giant and intimidatingly amiable field mouse, you’d still ask them to tone it down a bit. The orchestra repeats itself for a few bars, as if sweeping its arms across the landscape. Isn’t it beautiful?, it says, this world you believe to know? Isn’t life just idiotically charming when you don’t know any better?? Then, the orchestra stops, to be replaced by a single foreboding organ while the sounds behind it seem to be dripping out the last of their good will. Drip. Drip. Drop. Drip. The droplets seem to both become sparer and start to resemble a ticking clock, winding down to some unknown but anxiety inducing conclusion. The same music that had previously swept its hands in overt astonishment as the landscape that is now starting to melt away, now grabs you roughly by the collar and pulls you forward. It opens a hand to you containing a red pill and a blue pill. Before throwing them both in rage at the still deforming landscape.
“Nah, fuck that”, they say. “That trope has been done to death to such a point where it now somehow represents Men’s Right Activism. There aren’t just two routes anyway, there are an infinite ways to comprehend reality, let me show you them all“.
You want an intro? We you ain’t getting an intro! Unless, of course, you consier this little bit of writing where I explain there isn’t an into to actually be the intro, in which case… Jesus, I can’t help you, friend, just move along… We’ve already had entries #126-#81, now let’s chomp down on part two of the list.
‘Chomp down’? The fuck am I talking about? Not a good start, Alex. Not. A good. Start.
Ouuuuuuuuuuuuuuuuuuch. It’s one thing to be palmed off with a lie, but to lose out to Tom Cruise using his mysterious Theten powers to somehow convince the watching public to give ‘Dianetics’ another chance by hanging out of aeroplanes and later cackling to Loraine Kelly about how he does all his own stunts, I really think you have to assume this is a problem with you, Banoffee.
Which Mission Impossible was it though?? You know there’s, like, a hundred of them now, right? Was it the best one (Mision Impossible 1-100) or even the worse one (Mission Impossible 1-100)? Don’t pretend you have any idea.
Halsey sits in that awkward position of being an extremely, very, absolutely great artist, but at the same time being weighed down by almost being suffocatingly overrated by some corners. Also, she’s often really annoying.
Now that last (factual) statement may actually be problematic. Would I refer to Halsey’s objective annoyingness if she were a man? Truthfully, if she were a man I’d probably call her a ‘cunt’, but I’m always aware of how vicious it can sound to use such violent language when referring to a woman, so I’m slightly more polite. Is that sexist? To self censor my language and treat women more ‘gentlemanly’? Am I actually doing it because I feel that the curse is hilariously infuriating to a man but actually hatefully offensive when said to a woman? Is that idea sexist?? Should I maybe not be calling anyone a ‘cunt’??
OK, remember when I told you that there were so many fantastic records released this year? Well, that pretty much starts here, as Vritra’s
roughly 6’903rd record is yet another example of the unique and intoxicating talents of perhaps the least sufficiently appreciated (former??) member of Odd Future. If this is your first Vritra album, the rapping and musical styles one or two notches above clinically comatose will be sure to bewitch you for a solid half hour (do not listen to while operating heavy machinery etc), but the lack of real evolution of change of styles between records can mean a dangerous sense of disposability and lack of individual character can set in when you listen to multiple records. Like, the guy has released about three albums since that wonderful album with Wilma Archer last year that I didn’t even notice. Which, to be fair, is a docile forgetfulness that’s very on brand.
Yeah, I’m in a good mood, what of it? Wanna fight about it? Bring it on, I bet I’ll have you kissing me before the first punch lands, because how can you stay angry at this face?? My good mood mainly arises from three reasons. Firstly, longtime reader Beryl got in touch to tell me how she enjoyed the last post, and only made the polite suggestion that this series could be improved if it…
…incorporated more hardcore scat pornography?? Jesus fucking Christ, Beryl. Honestly, whenever I’m that close to relaxing that restraining order, you come out with something that sends us back to square one. Maybe I’m at fault here for expecting more from someone I met on the online scatological fetish dating app ‘ScatrBraind‘, but I just always assumed she was interested in the person around the fecal matter, y’know?
Anyway, the second reason is that this will definitely be the final part in this series, allowing me to abandon my blog again to return to my three real loves (masturbating, crying, and masturbating while crying. Mainly the third, if I’m being completely honest). Thirdly, and perhaps most importantly, we are now actually into the years where I made a point of listing the best albums, so this part should be an absolute piece of piss! Look at the header of this blog- I’ve already got my best albums of 07-19 listed! I just need to copy those albums down again for this entry! It’s 8:53 now, and I’ll have all this done and dusted in time for my traditional 9am cry! Let’s do this shit!!
You want an intro? You got that in part one! Let’s get down to the dirty, sticky and dangerously unhygienic business:
This was an important year for me, this was when shit got real. Yeah, Labour won the election, which I was aware I was supposed to celebrate but not yet conscious enough to know exactly why, just that ‘our team won*. Princess Diana died, inspiring a nationwide reaction that even 13 year old Alex Palmer recognised as being a bit fucking much**. All that was meaningless background noise though, as most importantly 1997 was the year that I became really switched on to new music. Before this point, most of the albums I’ve listed would have been discovered by me later and posthumously lusted after in the kind of nostalgic necrophilia that I would later grow to despise. Yeah, sorry if you’ve already imagined me as an incredibly cool seven year old bopping his head to Soonby My Bloody Valentine. From this point on, these important albums in my life and personal development were pretty much all discovered as contemporaries. Seriously though, ‘It’s Great When You’re Straight… Yeah’ was the first CD that I ever owned. Yeah. I’m that cool/weird.
Yeah, sorry, no more Bumble Rumble. Possibly… ever…? Listen, I’ve pretty much decided that I hate Zero Hour dating- I happen to still believe that I’m relatively attractive, so to have an app on my phone that frequently reminds me that I’m actually not is not good at all for my already inflated yet easily pricked sense of self-esteem. For now, my official stance is that I know that I’m a highly fuckable piece of hunky man meat who could grind genitals with pretty much any woman he wants, but I just choose not to, OK?? The official stance is that I’ve decided to concentrate on the more important things in my life, such as this blog- which has never been more popular- and my actual job- which I’m technically supposed to be doing now*. Remember this blog? It used to be about music, didn’t it? I mean… kinda… Let’s do that again. Basically, it’s time for:
Just wanted a photo with my eyes in it. Have they always been that colour? More after the jump!!