#14 Marina and the Diamonds: Electra Heart (Platinum Blonde)

Holy shit! Happy birthday ‘Electra Heart’!

Starburst? Yeah, fuck that kid

NE2022 enters into a strange ‘rerelease zone’ for these next three entries. I can’t remember if I did this intentionally. It’s difficult to consider ‘classic’ albums alongside newer material. You need to balance out any nostalgia and the unfair ten year start that some records have had to burrow into your subconscious. Yet you don’t want to go too far the other way, and fail to remember the original spark and energy that was originally locked within a song you’ve heard fifteen thousand fucking times already. You can’t give too much weight to cultural importance… but you certainly can’t just blindly ignore it. It’s an extremely complicated equation that I honestly don’t believe anyone reading this will be intelligent enough to fully grasp. Or, I just realised there were a lot of amazing rereleases this year and didn’t want them all clogging up the top ten, so parked them all just outside. Two releases still escaped and made the top ten. There are five records in the top 15 that weren’t released in 2022. Shut up. Ah do warra want!

YOU DON’T LOVE ME? BIG FUCKING DEAL

#56 Lykke Li: EYEYE

Lykke Lykke Lykke! EYEYEYE!!!

Sponsored by anti-acne treatment, because wrestling is for adults

Sweden’s absolute and inarguable queen of pop heartbreak might be another artist on this year’s list suffering from their insane decision to be consistently brilliant throughout their career and making the risky move of simply releasing another brilliant record. Like, well done, you’re still incredible. ‘Ave a fackin’ biscuit.

I WOULD ACTUALLY APPRECIATE A BISCUIT RIGHT NOW

23 Little Simz: Sometimes I Might Be Introvert

2020 #65, 2019 #4

Naija women, got the melanin dripping

L-O-N-D-O-N, city girl living

In the back, looking like fire, chili pepper

Yoruba girl tougher than imperial leather

Woman

The Necessary Evil Nigerian element expands. Don’t worry though, I’m not just going to talk about my ex-wife again. Seriously though, entry #20, there’s some real good stuff gonna happen there, promise. Don’t forget to like, share and subscribe. Hit that ‘subscribe’ button as hard as you can. All of that, yeah?

Let’s talk about Little fucking Simz though, yeah? This woman is more than a talent, she’s more than merely a star, she’s an absolute presence. It’s what allows her to so easily combine and feature such disparate and unique styles and genres – as she does to her most audacious level yet on ‘Sometimes…’ – and still have them gel together so seamlessly. Track three could be a Barry White-esque excessively orchestrated soul song, track four a relentless trap/grime hybrid, track five a progressive oompah band concept piece, track six an ABBAesque medley, and track seven could be a Simpsonwave thrash metaller produced by Ryan Adams. It wouldn’t matter, they’d all be connected by that voice, that charisma, that God damn presence.

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