Overweight and Out of Date? 30 Years Ago, The Manic Street Preachers Escaped From Their History With Everything Must Go

Two months ago I was out having a drink in London. And someone says to me, ‘How can you be out having a drink?’ I say, ‘What the fuck are you on about?’ He says, ‘If I was you I’d be in my room chopping myself up by proxy for Richey.’ People think they know how they’d react if they were his friend. But I don’t feel that I’d been Richey’s friend at that point, because you didn’t have a clue what had happened at all. There were no equation.

JDB to the NME 1996/05/11

THE PURE MOTIVE

It’s an origin story that now seems as notorious and as recognisable as Bruce Wayne’s parents being gunned down in Crime Alley. Yaddayaddayadda, eve of American tour, yaddayaddayadda, Vauxhall Cavalier found parked on Severn Bridge, yaddayaddayadda, not seen since February 1st 1995. And if I were to map out the disappearance of Richey Edwards (the band’s co-lyricist, Minister of Propaganda, and “guitarist”) here again in detail you’d probably let out a groan at the waste of time similar to that you’d release were the next Batman film to feature of yet another scene explaining what happened to Thomas and Martha. Also, I don’t want to victim blame, Mr and Mrs Wayne, but ‘Crime Alley’? What did you think was going to happen?

The band would be forced to deal with the emotional devastation of the never solved disappearance of its central member and the members’ childhood friend for the rest of their career. Though, even by the point of that missed flight to the US, Richey Edwards had long been taken from them. ‘The Cult of Richey’ may not have been named as such yet (and, as far as I can tell, may well have first been coined by Manics bassist Nicky Wire to refer to the hysteria around Richey’s disappearance in 1996), but it really began to form following Richey’s hospitalisation just before the release of ‘The Holy Bible‘. And then that album was released – with its largely Richey-penned lyrics that perfectly chronicled the overwhelming power of everything on our fragile and sensitive souls – and it was like, no, he’s ours now, you can’t have him. Even before Richey’s disappearance, fans would write into NME and Melody Maker expressing how deeply they understood his condition. Even suggesting that, maybe, only they know how to save him? And what was all Richey’s self-harm and self-destruction if not our saviour offering up his own sacrifices to atone for our sins??

The problem with being as talented as any artist in history at giving voice to the inner torments of humanity, is that people are going to start believing in real parasocial connections. How could they describe my feelings so well if we weren’t already so close??

But the problem with artists is that they have an infinitely frustrating tendency to move on and evolve far quicker than their audience.

ALL YOU SEE IS MORE AND MORE JUNK

Necessary Evil 24: The Biggest List Under the Sun

Bumpin’ that bumpin’ that bumpin’ that…

Yeah, we’re back, so fuck me I guess?

The 16th year end Necessary Evil list of the year’s objectively and scientifically proven greatest music is a notable event for a few reasons. Firstly, it will be the first time I’ll be writing a list of year’s best bops and slaps that played out to a full twelve months of genocide. Like, the whole year. When I wrote last year’s list, it was only to the backdrop of a tiny bit of genocide that covered the last couple of months of the year. And who really pays attention in those winter months? Too busy thinking about Christmas, right? A couple of years back, for example, my housemate Darren engaged in the systematic and targeted slaughter of more than two dozen woman and children in those early December weeks, and I just didn’t notice because I spent the whole time trying to untangle the Christmas lights. Don’t worry, it happens, I get it.

Hajar Khalil Salah al-Bahtini

Cheap Tarnished Glitter: Manic Street Preachers’ Gold Against the Soul 27th Anniversary (??) Deluxe Reissue, Inspection and Reevaluation

“I like bands with a lot of fuck-ups, who flirt with disaster, it just shows that they’re fallible. All humans are fallible, after all. And we’re just a reflection Of that.”

Nicky Wire, The List, 1993

Firstly, let’s just fuck the room’s elephant in the ass and admit that there is really no deep logical point in this reissue. ‘Gold Against the Soul’ may have been released on June 21st, but that release came in 1993, and I don’t think there is a wider habit among the music industry for rereleasing albums on their 27th anniversary. This is a legitimate and gorgeously packaged celebration, yes, but the intentions of its release are simply financial- the band knows that they still have a pathetic, rabid and obsessive fanbase, who will jump at the chance to buy a lavishly packaged and expanded edition of one of the band’s less well regarded albums. Yes, including me. But let’s just stop and look at the optics here- here are the most viewed pages on the Necessary Evil blog this year:

(*fuck, I am so old. Like, properly, well-adjusted and responsible adults were born after this album was released. Your boss at work was born after ‘Gold Against the Soul’ was released! Your weird uncle Freddy’s girlfriend was born after this album was released, and she’s the oldest girlfriend he’s has since his 1998 divorce!)

This can mean only one thing: time to pander to all those pathetic Manics fans again!

Continue reading “Cheap Tarnished Glitter: Manic Street Preachers’ Gold Against the Soul 27th Anniversary (??) Deluxe Reissue, Inspection and Reevaluation”

Legit Bosses: The 112 Best Songs of 2019

OK OK OK! There were 112 amazing songs released in 2019 (or, erm, released earlier but I just listened to them a lot this year), and here is the definitive, objective and scientifically proven ranking. You can disagree all you want, just remember your disagreement is merely an opinion and this list is fact.

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Or maybe not. I made a big change of tablet and therefore music player this year, and I might not have remembered all of the songs I deemed to be Legit Bosses earlier in the year. But whatever, here are 112 amazing songs, here’s the YouTube list and here’s the Spotify playlist, now please leave me alone, yeah?

Starting at number 112 wiiiiiiiiiiiiiiiiiiiiiiiiiiiiith…

Continue reading “Legit Bosses: The 112 Best Songs of 2019”

The Legit Bosses:136 Best Tracks of 2018

This is officially the end of 2018! And it’s only the 5th January [EDIT: Still only the 6th!]! Although there’s freaking one hundred and thirty six  tracks to get through, so this may well take until mid May! Happy Cinco de Mayo! No time to talk! A shit load of songs to get through!!

136 Candace: Rewind

Gorgeous, innit?

135 Epic Reflexes: Cha Cha

While Z-Tape’s ‘Spring’ collection was veritably busting at the seems with Legit Bosses, as you’ll soon see, this is the only similarly legitimate position of authority from their ‘Summer’ collection. They’re all still great though, as is the Epic Reflexes’s album ‘ChaChaChinatown‘.

134 The Carters: Apeshit

I had a lot of problems with ‘Everything is Love’, the surprising debut release from Beyonce and Jay-Z. Part of the reason I struggled with it was that I wasn’t sure how canonical it is. Like, is this it, Bee? Is this underwhelming collection of occasionally very entertaining rap boasts officially your actual follow-up to one of the most acclaimed albums of the 21st century? It’s an album about how two very rich people love each other but probably love their money more, that includes the line “My grandchildren’s grandchildren already rich” which, despite Kanye’s crisis of publicity, is by far the line from 2018 that Donald Trump is most likely to high five in a men’s locker room. Also, there’s a moment on the opening track where Mr Carter drawls out “Let it breaaaathe, let it breaaaathe” like JB Rockefeller basking in the glory of a fart he’d just released under the bedsheets, which marks the first time in more than two decades that I’ve thought to myself that I don’t think I really like Jay-Z. However, he often wins me back with the later claim that he’s “Good on any MLK boulevard”. This song’s pretty great though

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Fucking hell, Jay, that haircut though… One hundred and thirty three more after the jump!

Continue reading “The Legit Bosses:136 Best Tracks of 2018”