Tag: Laurel Hell

36 Mitski: The Land is Inhospitable and So Are We

~ Lex Leeson ~ Leave a comment

I have a hope and though she’s blind with no name
She shits where she’s supposed to feed herself while I’m away
Sometimes I think it would be easier without her
But I know nothing can hurt me when I see her sleepin’ face

Buffalo Replaced

Fuck it, right, Mitski? Fuck it! Might as well scratch that old dog at least one more time.

It seemed like the “21st Century’s Poet Laureate Of Young Adulthood” was so done with this shit after last year’s ‘Laurel Hell’. That album was the soundtrack of “what capitalism’s churn and enforced responsibilities can do to a person, how art is far from safe from being depressingly commodified and incorporated into the machine”. The relative ‘success’ that they’d so far achieved had done nothing and had meant nothing, so what was even the fucking point? Oh! And the last album their record deal required! See you later, losers! Peeeeeeeeeeeeeace!

I FIND MYSELF IN A SHIT POSITION

#38 Mitski: Laurel Hell

~ Lex Leeson ~ 3 Comments

Sometimes I think I am free
Until I find I’m back in line again

Everyone

Ma dudes, Mitski’s sixth record is really fucking depressing. We’ve already seen plenty of records on this year’s list that deal with weighty and emotionally devastating subjects. But ‘Laurel Hell’ is different. It doesn’t just contain sad lyrics, but it’s very sound is beaten, dejected, empty. Like, total bummer, you get me?

It might just be me. I am, as you might have noticed, a total bummer merchant. I’m sure most people would still find it depressing just knowing the general story behind it. Mitski had sacrificed everything in order to do music for a living (“I will neglect everything else, including me as a person, just to get to keep making music”), and with the wider acclaim and success of ‘Be the Cowboy‘ she seemed to have lived her dream to the extent that she no longer needed to do it. And, having realised the sacrifices such success entails, she decided to chuck it all in. She wrote one of her greatest ever songs Working for the Knife in late 2019 as a spectacular and self-explanatory goodbye to the business (“I always thought the choice was mine/And I was right, but I just chose wrong”). Whereupon her label said, erm, no, you’re still contracted for one more album. Get back out there and dance for us. ‘Laurel Hell’ is that album. I’m sure Mitski was overwhelmingly happy to make it

I START THE DAY HIGH AND IT ENDS SO LOW