#21 Tierra Whack: WORLD WIDE WHACK

I can’t sleep, I can’t eat
I feel small, so petite
I act strong, but I’m weak
Ha, ha, ha, ha (livin’ is difficult)
I was born to survive
See the pain in my eyes
I been stressed and deprived
Ha, ha, ha, ha (livin’ is difficult)

DIFFICULT

So, imagine you’re Generation Z. You’re a Zoomer. You were born between 1995 and 2012, because the dividing lines of these ‘generations’ are fucking ridiculous. I’m a Millennial because I was born between 1980 and 1994. I’m the same generation as Rishi Sunak (1980) and Justin Bieber (1994), which explains the similarities between the three of us.

that’s me that is

But not you though! You’re Gen Z, you’re in the same pool as Beyoncé’s daughter Blue Ivy (2012), Millie Bobby Brown (2004) and Tierra Whack (1995). You likely won’t remember a time before the world was fucked:. You were four years old at most when NATO bombed Yugoslavia and announced the new laws of violent neoliberalism dominance, where peace would now only be reached with bombs. You don’t remember a time before 9/11, the War On Terror is your life. You’ve never caught a plane without first taking your shoes off. All your life everyone has known that the world is fucking burning up and going to die pretty fucking soon. Your whole life, the entire human race has known that it’s killing itself, and has done nothing to prevent this spectacular suicide. I mean, the old fucks like me and KSI (1993) have had time to ponder accept this death cult, but imagine being born into it!!

Hour Osama Suleiman Abu-Sanima

#38 Mitski: Laurel Hell

Sometimes I think I am free
Until I find I’m back in line again

Everyone

Ma dudes, Mitski’s sixth record is really fucking depressing. We’ve already seen plenty of records on this year’s list that deal with weighty and emotionally devastating subjects. But ‘Laurel Hell’ is different. It doesn’t just contain sad lyrics, but it’s very sound is beaten, dejected, empty. Like, total bummer, you get me?

It might just be me. I am, as you might have noticed, a total bummer merchant. I’m sure most people would still find it depressing just knowing the general story behind it. Mitski had sacrificed everything in order to do music for a living (“I will neglect everything else, including me as a person, just to get to keep making music”), and with the wider acclaim and success of ‘Be the Cowboy‘ she seemed to have lived her dream to the extent that she no longer needed to do it. And, having realised the sacrifices such success entails, she decided to chuck it all in. She wrote one of her greatest ever songs Working for the Knife in late 2019 as a spectacular and self-explanatory goodbye to the business (“I always thought the choice was mine/And I was right, but I just chose wrong”). Whereupon her label said, erm, no, you’re still contracted for one more album. Get back out there and dance for us. ‘Laurel Hell’ is that album. I’m sure Mitski was overwhelmingly happy to make it

I START THE DAY HIGH AND IT ENDS SO LOW