Tag: EUSEXUA

2026’s New Gold Star Artist’s (and a Couple of Shameful Exits)

~ Lex Leeson ~ Leave a comment

Keep up at the back! I’ve explained all of this a dozen times by this point! For glorious entry into the prized and celebrated Necessary Evil Gold Star Artists Hall of Fame you need to meet just two basic yet extraordinary difficult criteria:

  • At least three albums
  • All albums featured on the Necessary Evil best of year countdown

Well… not none, but… few… Few Shall Pass.

NE25 saw two new entries to the most prestigious list in all of music. In all of life. And they’re biggies: legitimately two of the most notable artists of the 21st century, and even if a normie mainstream media (more like lamestream media, ammi right lads???) outlet like Rolling Stone or BBC or The Daily Stormer or Razzle decided to list the greatest artists of the past two decades they’d both be listed high. And, in a pleasing bit of symmetry, there were also two artists condemned to the eternal shame of being disqualified from the Gold Star Artists Hall of Fame and violently dispelled into the disgraceful Ex-Gold Star Graveyard. It was a great shame that one of these artists was expelled. The other one I couldn’t give less of a shit about.

More, more, more, how do you like it?

Legit Bosses: The 118 Best Songs of 2025

~ Lex Leeson ~ 1 Comment

WE ARE CHARLIE KIIIIIIIIIIIIIIIIIIIIIIIIIIIIRK WE CAAAAAAAAAAAAAAAAAAAAAAAAAAAARRY THE FLAME…!

OK, so that song is obviously number one, no surprises there, but aren’t you still interested in the songs that finished #2 – #118?

Yadda yadda yadda, absolute dog’s bollocks tracks here, you know the drill: #118 is already a fucking banger, then each track afterwards manages to be somehow even better, until we finally reveal which piece of genius is almost as good as We Are Charlie Kirk.

Slightly smaller list than last year, partially because Prince’s insane output has been cordoned off this year to stop it hurting the self-esteem of 2025’s music, and partially because I made the last minute decision to not count any songs from Hallelujah the Hills epic ‘DECK’ project, as I promise I promise I promise that I’ll rank those 54 songs seperately sometime this year. Or, at a push, definitely before 2030. Ish.

Sit back, relax, bookmark this so your next few dumps are sorted, and think about how long it must have taken me to write this fucker if you’re on your twelfth trip to the toilet reading it.

Spotify Playlist

YouTube Playlist

In us it echoes, in Christ it sustains

3 FKA Twigs: EUSEXUA

~ Lex Leeson ~ 1 Comment

Yeah, that’s right, I’m going to start my post on the Scientifically Proven™ third greatest album of 2025 by slagging off Beyoncé’s ‘Renaissance’ for the third fucking time.

Both Beyoncé’s 2022 critic stupefying event album and FKA Twigs’ third proper record were heavily influenced by dance music. Beyoncé referenced a lot of post 70’s black dance crazes – with close attention paid to early 90’s House music and Detroit’s best -while Twigs was enchanted with the techno music she heard when she relocated to Prague to – don’t laugh – film ‘The Crow‘.

I’m a dog for you