See, I’m a Westside nigga from the zone (What’s goin’ on, nigga?)
Knock, knock, knock, knock, knockin’ at the door (I’m knockin’ at the door)
I keep them mink-minks on hip ’cause I keloid my fists (Mm)
Nigga, give a fuck ’bout pronouns, I’m that nigga and that bitch
Aw, mate, this album is so fucking good. It literally hurts my soul to have it as low as second. And you all know what’s first now, don’t you? Yeah. I tried so hard to be different from the Normies but some things are just undeniable…
First of all, can we just all stand back in wonder at how big a deal Tyler Gregory Okonma is? They might have started out more concerned with working how best to work rape, gore and incest jokes into consistent homophobia, but starting with 2017’s revelatory ‘Scum Fuck Flower Boy‘ they have grown into one of the most dependable and consistent lightly experimental and occasionally avant-garde musicians in the game. Or, as Tyler themselves might put it:
Asia Hussein Ahmed Hamad



