#22 Zeal and Ardor: Greif

It’s more like pineapple-on-pizza metal… we shouldn’t connect with certain kinds of metal fans, but they still appreciate us. Could we call it ‘Thinking-man’s pineapple pizza?’ Is that a valid compromise? It might not be everyone’s cup of tea, but some people will still agree that it’s a pizza even though there’s a little forbidden fruit on there

Manuel Gagneux after being asked by Kerrang! if Zeal and Ardor made ‘Thinking-Man’s Metal’

I know what you’re thinking: yes, Kerrang! is still going and yes that’s the typeface they’re going with for the logo now. In this piece I shall argue that Zeal and Ardor should not be blamed for either of those things.

Hour Khamis Suleiman Al-Khateeb

Necessary Evil 2020 pt.11 (25-21)

#25 Frankie Valet: Waterfowl

‘Waterfowl’ is a pretty perfect rock album. I spent an inordinate and unnecessary amount of time just now trying to decide which subgenre to place it under, but it’s such a varied and ambitious record that it near enough encompasses all of them. It dabbles in punk, takes brash detours through folk rock and indie, skids its way through shoegaze and math rock, and even chooses to dabble in post-punk and grunge. I ‘reviewed’ it back in February, then because I don’t think I’d properly got across how good the album was, I wrote another post in March just to make sure I was clear how freaking good this record was. Come on, if there was any 2020 album you don’t need further convincing of its quality, it’s this one. It’s actually quite worrying how much I have to spoon feed some of you people. Sort your lives out.

Continue reading “Necessary Evil 2020 pt.11 (25-21)”