2021 #48 (Sō Percussion, Dawn Upshaw, and Gil Kalish)
Remember ‘Caroline Shaw: Narrow Sea‘ at #48? Yeah, I know, that was a bit of a while back now. Jesus, I spoil you ingrates with three posts in three days over the weekend and now you’re expecting daily updates?? I do have a job, you know?? Sure, it’s only a flat fee per month to suck Paul Scholes’s daughter’s toes whenever he’s too busy to satisfy her, but it’s an honest job God dammit! Anyway, remember that album? That was a bit of a bop, wasn’t it? But you know what it was missing that would make it that little bit better?
That’s right: Caroline Shaw.
Continue reading “39 Caroline Shaw, Sō Percussion: Let the Soil Play Its Simple Part”
50 Nick Cave & the Bad Seeds: B-Sides and Rarities II
(2021 #63, 2020 #1!, 2016 #=6, 2014 #45, 2013 #22, 2008 #12 (with the Bad Seeds) 2010 #11, 2007 #13 (with Grinderman) )
Nick Cave album number two!
Ah, fuck, am I including B-Side collections now?? I guess that shouldn’t be much of an issue, considering that there’s only a tiny, Jeremy Beadle handful of artists I would even considering purchasing a B-Side collection of. Just so you know, Manic Street Preachers‘ last B-Side collection was back in 2003. The Bad Seeds released ‘B-Sides and Rarities’ part one in 2005, so the Manics are already embarrassingly behind schedule. Sort it out, Wire. Although, to be honest, I was all ready to announce that the inherent importance of Nick Cave and the Bad Seeds have lead to them releasing the first B-Sides collection to be featured on Necessary Evil, until I remembered that Carly Rae Jepsen’s 2016 B-Side collection made #31 that year, so there really is no rhyme nor reason to it. Also, the featured image to that blog post is Al Pacino shoving cocaine into his face in Scarface, so let’s not pretend any of us has any idea what’s going on around here.
What a collection though, aye? Ammi right? Ammi right? I’m right. ‘B-Sides and Rarities’ part one was no slouch at all, containing a smattering of wonder that showed how harsh the band’s quality control had been during the first two decades of their existence considering the excellence of some of their cast-offs. It was clear that the bar to entry onto a Bad Seeds album was more stringent and difficult to pass than the best American colleges even if your mother used to be in Desperate Housewives. There were also other bits and bobs that settled debates such as whether Shane MacGowan did the best version of Lucy. He did. Debate over.
Continue reading “Necessary Evil 2021 (50 – 41)”