And it’s a pretty great concept, not gonna NGL. A “Lesbian Ziggy Stardust”, as Lava themselves has christened it. ‘Starface’ is the name of a genderfluid alien who crash lands on Earth, puts their best human skin on, discovers that we humans are into some freaky-deaky shit, there’s some big battle which isn’t fully explained, Starface then falls in love in a brave show of support for inter-species relations (would have preferred it if they started fucking a walrus or something, but a human is alright, I guess), is dismayed by the fact that some people are on drugs, and ends the tale by (spoiler) debating whether they should return to their planet.
There’s recently been a lot of talk over what jobs will be the first to be replaced by AI, as all of humanity furrows its brow in the staff break room after the massive buy out of the company by robots. Part of the reason behind the 2023 actors and writers strike was the studios admitting that with AI it now took them no talent at all to make movies, with one studio exec admitting that “Mate, I caught Taylor Lautner’s face in my dashcam* while driving through Hollywood last week, now I have enough footage to release a dozen more Twilight movies. Watch out for ‘Twilight 8: Imprinting on Elves‘ this Christmas! Does anyone have any cocaine? Don’t print that last part”.
(*he was asking to clean the exec’s windows at a traffic stop. Taylor Lautner is… not in a good place, man… Partially because of AI! But, yes, mostly because of the PCP)
The UK government has “pledged to ask responsibility” on AI weapons, with a government source quoted as saying that “We would never enact the use of our kick ass, super cool war robots with anything less than absolute seriousness”. The source then did a robot dance with a toy gun in each hand while making ‘P-choo! P-choo! P-choo!’ laser sounds, before stopping, putting the toy guns back in their briefcase, clearing their voice and announcing “So, yeah, that’s pretty much how it works”. The government pledging to ‘act responsibility’ in the production of autonomous weapon systems – widely known as ‘killer robots’ – is like your weird uncle Danny pledging to ‘drink responsibly’ after lining up a dozen Jägerbathbombs (like a standard Jägerbomb with a sprinkling of bath salts) on the bar in front of him.
We thought we’d done an amazing job, and the first contract was coming due. Steve was with him in Atlanta, and I said, ‘Tell Prince we’re going to organize a contract with him for another five years.’ And Steve (Farnoli, co-manager) calls me and says, ‘You’re not going to believe this. The kid says he’ll sign if you get him a major motion picture. It has to be not from a jeweller or drug dealer but has to be from a major studio, and he wants his name above the title.’ I can’t tell you what an impossible task that was.
Bob Cavallo, Prince co-manager 79-89
They really had done an amazing job with His first contract. Back in 1977, they’d somehow manage to successfully argue that one of the biggest production companies in the world bow to this snotty little, precocious 18 year old midget’s ridiculous demand that He be given complete creative and production control over His own music when signing His first ever record deal. Now He wanted a movie made. A major motion picture. And not one made by jewellers or drug dealers either. I imagine he initially demanded it not be made by cocaine addicts or rapists either, but this was Hollywood in the 1980s and some things are just literally impossible.
“Tell that little cunt to wipe that smirk off his face”
It can be easy to be fooled by retrospect nearly 40 years later. Of course Prince had a movie made about Him! He was one of the biggest stars of the 80s! That album sold twenty five freaking million copies! ‘Purple Rain’ was one of the highest grossing movies of the year! Motherfucker was a sure ticket! And, yeah, sure, now we know that, but remember that at the start of 1984 (omg this is literally 1984) Prince had released five albums: two commercial nonentities, followed by one of the most critically adored and influential albums of the decade... and hat trick of commercial nonentities, one decent seller and finally the breakthrough with ‘1999’, his first top ten album and first real suggestion of longterm commercial viability. He was hardly some unknown Minneapolis bum trying to convince bingo halls to give him fifteen minutes before the midnight game, but these five albums had spawned two top ten singles in total. Giving Prince a movie in 1984 wasn’t like giving Beyoncé a squillion dollars to race-wash Disney while she pretends her skin colour doesn’t make her a crucial part of the capitalist machine that’s exploiting Africa. It would almost be like if the success of Heatwaves lead to the next Glass Animals contract included a ten part HBO series starring the band playing themselves in a fictionalised biography of their upbringing in Oxford. It’s insane that this movie was made. It’s insane that one of the biggest companies in the world simply trusted in the intuition of one of their midlevel artists due to their simple trust in His artistic legitimacy. It’s insane how Prince just said “Trust me”. It’s insane that Warner Brothers just greenlit a seven million dollar movie. Its insane how right He was.
“If you make this movie, I’ll become the biggest star in the world and make you millions of dollars”. And he did. And they did.
The Manic Street Preachers are the greatest rock band ever. That’s not an opinion, it’s a conclusion that I’ve reached and am now saying it loudly and not listening to any dissenting voices, which in 2021 counts as a ‘fact’.
Their greatness is… complicated… and not easy to explain in a simple intro to a blog post… These 100 tracks aren’t necessarily the greatest songs ever. Even as a pathetically dedicated Manics stan*, even I would argue that they’ve only ever released one indisputable, stone cold classic record from front to back (see if you can guess which one after you read the list!). They may have supernatural control over melodies and how best to ensure a chorus hits just there, but at the end of the day they’re just a rock band. They have never really challenged the very boundaries of music, never pushed things forward or necessarily introduced anything new sonically. I would argue that only one of their albums is truly challenging and experimental, rather than just being a break from what the band usually produce (yeah, it’s the same album…). I mean, Jesus, they once shamelessly released a song including the lyric “The world is full of refugees/They’re just like you and just like me“. That’s unforgivably bad, isn’t it? They can’t come back from that, artistically.
“You stand there and you think about what you’ve done”
(*I may occasionally use cool, groovy, young person lingo like ‘stan’ so you think I’m a hip young gunslinger. Not, y’know, old enough to be a Manics fan)
I’m not able to explain their magic here, but over the next one hundred (!) entries you’ll hopefully all have a better idea. It’s not as dominated by the 90’s as I was worried it might be, and every album is represented (apart from one. Because their tenth album is worse than Hitler). I’ve been wanting to find the time to do this for ages, partially inspired by the great What is Music podcast covering their entire discography and reminding me of how many big veiny stonkers this band had bulging out of their collective musical swimming trunks. They’re talking about Muse on that podcast now, a band for morons, so you only need to listen to the last season. My major blind spot is I don’t think they’ve done a decent b-side since 2001. Now, I’m sure I’m wrong, so please correct my ignorance in the comments. Tell me how wrong I am. Post your top tens. Your top hundreds. The Manic Street Preachers’ fan community is one of the greatest in the world, and no other band are as connected with their fanbase and feed off their adoration as much as The Manics. So let’s celebrate that by calling me a fat slut in the comments because I didn’t choose Little Baby Nothing.
I think we just have to accept that some things that are part of a nation’s identity just don’t make much logical sense to those looking in. To an outsider, a nation refusing to tighten its laws on something that causes 11.7 deaths per 100’000 of the population is absolutely ludicrous. The country needs it though, it makes it feel safe, makes them feel like they can protect their children. And anyway, the country only uses it for fun! Why should it be blamed for the other dumb countries- usually darker skinned, let’s be honest- who can’t control themselves??
“How can they let this continue to happen??” other countries self-righteously bray, “Can’t they see that it’s killing them??”. Other countries just don’t get it though, it’s a part of the country’s national pride! This country knows what it’s doing! It doesn’t kill people! People kill themselves! That’s, like, a mental health thing or summat, yeah?
If you’re not British, I can’t imagine you’d understand my relationship with alcohol.
By many definitions of the word, I’ve been ‘clean’ for about three years now.
By which I mean I no longer drink alcohol. As for other drugs, I’m fond of saying that “I’m either never high or high all the time, depending on how you look at it” due to the cocktail of prescription drugs I consider essential to my psychological upkeep and the fact I’m a stone cold banter merchant. However, as wry and cheeky as the statement may be, it’s not strictly true, and a far more accurate statement would be “I’m either never high, but sometimes really fucking high, or high all the time, and sometimes really fucking high, depending in how you look at it”, as I still enjoy recreational drugs. Because of course I do- drugs are awesome. Kids, just say ‘yes’. If more kids tried drugs we’d have far less problems in the world as potential alcoholics discover a cleaner way to search for the experience of another body. I mean, yeah, sure, we’d have a lot more heroin and crack cocaine addicts, but you’ve got to break a few omelettes to make a good egg, or something
Necessary Evil 