Legit Bosses: The 143 Best Songs of 2024

Hey, look, I’m getting better at this. Recently, I went on a massive cull of the 2024’s greatest songs to make this list as tight and as concise as possible, so that it would be sure to represent the absolute best of the best and would be as brief and easy to write as possible. And look! There are only one hundred and forty three tracks this year!! That’s a whole seventeen less tracks than last year! This post is going to be a breeze!

spoiler: this song is going top five. It INVENTED GAY POP, show some respect

OK, three weeks laternow, and I’m almost done! This post will be longer than most books you read, but to be fair most of the ‘books’ you read are Dr Who fanfic.

So, yeah, these songs are really good. And they get better as the list goes on. That’s how these lists work.

Here’s the YouTube playlist, which I know is the only thing most of you care about.

How much of an intro do you need, seriously?

A/79/232

Legit Bosses – The 160 Best Songs of 2023

In their 1972 book ‘Psychology of the Arts‘, Hans and Shulamith Kreitler tried to explain the reasoning behind why certain people react in certain ways to certain pieces of art. However, they deemed that to fully explain it, your knowledge of each person would need to “extend over an immeasurably large range of variables, which would include not only perceptive, cognitive, emotional and other personality characteristics, but also biographical data, specific personal experiences, past encounters with art, and individual memories and associations”. Sounds like a lot of work, right? Well, luckily, I’m here to just tell you what the best music of 2023 was, so all that effort behind your own personal psychosis can be sidestepped altogether. Think of it as my new year’s present.

no spoilers on what number this particular classic finished

And there’s one hundred and sixty this year. Maybe one hundred and sixty one. Because there was a lot of great tunes released in 2023. While limiting the Necessary Evil list to just 40 albums still meant there was space for at least one ‘meh’ album and one absolute stinker, over the past week I’ve actually had to really edit this list down to prevent it being ridiculous. And yet here we are: 160. Maybe 161.

I’m also going to be giving shout outs to particular golden moments in certain songs – similar to what I did in 2018 – and for each of those I’m going to be using a picture of one of the greatest moments in the short history of All Elite Wrestling, because… well… I get the horrible feeling that company is cooked and I hope to look back on this list in five years time and laugh at how pessimistic I was.

Can I finish this before 2024 and maybe have some days off before I go back to work?? Let’s seeeeeeeeeeeeeeeeeeeeeeee!!

[Edit: No. No I cannot. Not even close.

You’ve got some playlists though, will that make you happy?? Here’s the countdown on Spotify and on YouTube, minus the unavailable songs on whatever platform]

I REMEMBER NOTHING, SO THERE’S NOTHING TO REGRET

5 ANOHNI and the Johnsons: My Back Was A Bridge For You To Cross

“For me, there’s no heavenly respite; creation is a spectral and feminine continuum, and our souls are an inalienable part of nature.”

Anohni Hegarty

There are those who argue that the sex/gender divide is just a socio-political
construct. Certainly this is not true for those individuals with gender dysphoria where
there is a mismatch between their biological sex and gender identity. It is also the case
that class society has nurtured an ideology of femininity and masculinity which fits the
profit motive rather than peoples’ lived experience. But all of this this does not
invalidate the fact that the vast majority of humans (unhelpfully labelled ‘cis’) do not
experience a mis-match between their biological sex and their gender. This does not
mean that all is well for women who are, by virtue of both sex and gender, historically
and currently oppressed in patriarchal class societies.

SO YOU MIGHT AS WELL STICK IT IN

19 Aqua Girl: Stereologue

From a woman pretending to be a man to a… No, fuck, that’s not it at all. From a woman with short hair to a… No, hang on… From a women who finds no shame in being French to a man who… no, a woman who finds no shame in… a person who…

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From a human being, to another human being. From one fabulous album to another album that’s that little bit more fabulous. Let’s take this one step at a time.

Continue reading “19 Aqua Girl: Stereologue”

The Legit Bosses: Best 65 Tracks of 2017

EDIT: a full 16 days after publishing this piece, I finally got round to making a Spofify Playlist. The best songs of 2017. In May 2018)

00 (alexanderlpalmer@hotmail.co.uk)

OK, 20th April and we’re almost done. Never apologise for your own timing: genius cannot be standardised by your plebeian calendar. Good things are always worth waiting for. Patience, motherfuckers, patience.

Remember (kayfabe) last year, when I broke the Legit Bosses down into about a million parts? Ten freaking YouTube videos every post?

That was a really dumb idea. You’re getting all 65 songs in one list this year.

There were exactly sixty five amazing songs released last year. If you believe that there were any more or less then you are either massively mistaken or just plain stupid. Listen and learn:

65 Vince Staples: Alyssa Interlude

00 (alexanderlpalmer@hotmail.co.uk)

Finding out that the voice sample explaining the pain that’s sometimes needed to inspire creativity is actually Amy Winehouse pushed this interlude into ‘AMAZING’ classification.

Barely two minutes long, but exhibiting the kind of experimental genius that was slightly lacking on the rest of the album. More of this in the future please, Mr Staples, and less of… erm…

Less of, like, whatever I said in my review. It was quite a long time ago…

64 Young M.A: M.A Intro

Freaking perfect introduction to the record, which I can’t help but shout along to the “Who dat?/Who dat?/Never who dat” intro with all the gusto and passion a middle aged white guy is legally allowed.

63 St Vincent: Los Ageless

Despite what my review may have led you to believe, not actually about my ex-wife wrongly claiming credit for my suicide.

My ex-wife read that review, by the way, and got in touch to correct a lot of my false assumptions. Yeah, I’ll definitely talk about that at some point. Make sure to click ‘subscribe’…

62 Tove Lo: Hey You Got Drugs

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A lovely ballad about a subject that I think is vastly underrepresented in sad songs. I may have slightly overrated it in my review of the album, which shows how relatively underwhelming the rest of the album is.

Also: invest in a comma maybe, Ms Lo?

Continue reading “The Legit Bosses: Best 65 Tracks of 2017”

39 ANOHNI: Paradise

Distant Wonder Rumbles

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This mini-album is a threat. It’s an aggressive and intimidating declaration of intentions. It’s subtle, but there are people (or perhaps just ‘person’: me) smart enough to decipher it. Like when Donald Trump

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visits Kim Jong Un for a state banquet, and Jongy spends the entire meal flicking peas directly into Trump’s mashed potatoes, particularly around the east side of the plate. Trump won’t understand the suggestion, of course, because [DONALD TRUMP IS STUPID JOKE] and the fat fuck is just happy that he’s getting a little extra food. But us smart people (yes, you. And you. And you! Not you though. You know why. You know why) will see the threat being made, we’ll know some pretty awesome shit’s about to go down!!

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Continue reading “39 ANOHNI: Paradise”

The Legit Bosses: Best Tracks of the Year (60-51)

60 Car Seat Headrest: Drunk Drivers/Killer Whales

God, I love this song, as underneath all it’s cool and intensely legitimate indie credentials it’s a great epic rock song the like of which G’n’R themselves would be proud to put their names to. I liked it when I first made this list too…

59 ANOHNI: Execution

Heeeeeey! Dis woz on dat list too! I still love it at least as much as I did when I wrote that mid-year list back when I would post things at relevant times

Continue reading “The Legit Bosses: Best Tracks of the Year (60-51)”

3 Let’s Eat Grandma: I, Gemini

‘I, Gemini’ is a perfect encapsulation of why it is I love music

+100

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Let’s Eat Grandma (great name +1) are two Norwich girls who…

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I think I’m allowed to refer to them as such, they were only 16 and 17 years old when they released this album

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No, honestly, and if they were in their 40s, or 30s, or even 20s they simply wouldn’t have been able to make an album as supernaturally beautiful as this

+100

Continue reading “3 Let’s Eat Grandma: I, Gemini”

10 ANOHNI*: Hopelessness

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As a culture, we westerners are still not 100% ‘OK’ with transgendered people

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I mean, obviously: we’re not even close to 100% accepting homosexuality. We pat ourselves on the back every time a country legalises gay marriage, but it speaks volumes that every country bar Ireland didn’t dare put it to a vote, and you have to wonder how much bigger that 38% opposition would be if the people of Britain and America were polled

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Continue reading “10 ANOHNI*: Hopelessness”