An Embarrassingly Late Review of All In 2024

Yeah, it happened again, And I went again. Then the week after, I had an OISC Level 3 exam for the highest possible accreditation in immigration law. Oh, and between those two things I watched the Magnetic Fields perform ‘69 Love Songs‘ in full over two nights at the Albert Hall, so there’ll probably be a blog post related to that at some point.

“But Alex”, I hear you squeal, though it’s difficult for you to speak through painful wheezes, as you sitting up in indignation is the most exercise you’ve done in eight months, you fat fuck, “Wasn’t it pretty stupid to arrange a trip down the London mere days before the most important exam of your life?” .

And I reply: “Of course it was. But this is professional wrestling, everything to do with it is as stupid as shit”.

Last year I wrote an intimidatingly bloviated three parts and more than sixteen thousand words on the event. This year, there’s going to be one part, there’s going to be significantly less than 16k words, and we’re all going to come out the other end much happier people, I promise.

Even though the 2024 All Innit was a vastly superior show to its predecessor, and must rank amongst the greatest professional wrestling shows ever held in the UK.

whose blog?

The Biggest Moment of 2023

https://www.redbubble.com/i/hoodie/larry-by-SWITCHSHOP/152034883.VR8OC

I hate this idea that you’re the best. Because you’re not. I’m the best. I’m the best in the world. There’s one thing you’re better at than I am and that’s kissing ass…

I am the best wrestler in the world. I’ve been the best ever since day one when I walked into this company. And I’ve been vilified and hated since that day.

CM Punk’s ‘Pipe Bomb’ promo, 27/06/2011

I thought I’d already written the final eulogy on CM Punk’s wresting career. His firebombing of goodwill and petulant kicking of the pricks surrounding his cot in the aftermath of All Out 2022 sounded the death knell of his comeback to the ring. Surely now, he had burned too many bridges, shown himself to just be too unstable a livewire, for any federation to continue to employ him, and likely for many major wrestlers to want to work with him.

So I look at it like this: November 13th 2022, Punk left this blog.

November 18th 2023? He’s back

i’m trying to run a fucking business here

AEW All In 2023: Proper PPV Review (Part 1: the Build Up)

Alright, so we’ve had all the niceties, I’ve given all you sick freaks a few thousand words and what it felt like to watch ‘The Biggest Event In Wrestling History™’ live in attendance, now let’s take a look at the actual show itself. Immediately, this means two things:

  1. The photos are going to be a lot better. But, I dunno, lacking some of that charm, you know warra mean? Not as legitimate somehow? Like, sure, you’ve got your complex autofocus tracking and your high-ISO capabilities, but where’s the heart, y’know? Hey, Isa, if you’re reading this, you’re the real star. And, also:
  2. There’s gonna be a lot more complaining. The Wembley show was an absolute triumph (as I write this intro, I still haven’t watched the PPV broadcast that I’m about to review), but most of the build-up, decsions and angles leading up to it were weak as The Weeknd covering that Skunk Anansie song for seven days straight. Shut up, that line worked perfectly. The card was borderline piss poor on paper, I would suggest that there were maybe (maybe) three matches that fit the historic hugeness of the event, and they were all rematches. OK, maybe four, but Grado v Jeff Jarrett was on the pre-show so I’m not counting it. Hey, I’m a wrestling fan, all we do is complain. If you’re ever forced to go undercover to infiltrate a terrorist group of fat, middle aged wresting fans, make sure you never say that you enjoy wrestling: it will blow your cover immediately.

In fact, I’ve written so many complaints, that I’ve had to split this post into two parts. Here, we’re getting general pre-show thoughts, then the events of Zero Hour before the main show began. Net, I’ll just review the matches, I promise… I kinda promise… and that post will come out over the weekend.

Because I don’t write about wrestling that much on a blog that mainly concerned with psychosexual fetishization of suicidal ideations music, so when I do I tend to write under the delusional idea that non wrestling fans might read it. Hence I often have to stop and explain what an ‘Irish Whip’, ‘Tope Suicida’ or ‘Singlet’ is. I’ll be forced to translate carny sentences such as ‘He ribbed the worker and their shizon with the gimmick before taking a bump himself, a total shoot’ into the proper English (‘He murdered his wife and their seven-year-old son before hanging himself at their residence in Fayetteville, Georgia’) to make sure the normies could keep up. Well, screw the normies: I’m preaching to the perverted in this post and assuming at least a base knowledge of AEW in this post. It’s going to get pretty scary, but we’ll all emerge from the other side as better people.

christ, really need to get started on this

Wrestling Superstructures and Subcultures: the AEW All In 2023 Live Review

For the vast majority of human history, everyone was mainly just into the same shit, and had the exact same cultural references. You think in 5000 BC, when you and your fellow Sumerians were starting your little agricultural society based around the cultivation of dates, people would have much time for your niche appreciation of tomato crops? They’d be like “nah kevin we all about the dates right now fr”. It was essentially a monoculture though, so everyone would at least be aware of the tomato subculture, even if they weren’t fans themselves. Everyone went bananas for dates*, and everyone knew that some weirdos like fucking Kevin inexplicably preferred tomatoes. For thousands of years, we have had the superstructure and the subculture, with a clear distinction and easy to judge distinction between the mass support of dates and the dangerous, fringe interests such as tomatoes.

‘Das Gespenst’ is German for ‘The Titty Master’

(*but, crucially, not bananas)

Which brings us, naturally, to professional wrestling.

There are statistics to argue that professional wrestling is as big – or even bigger – now than it ever has been. Or at least as big as it’s been in the modern era, biggest since 943 thousand people somehow crammed into the Atlanta Omni in the 50s to watch George Hackenschmidt put Toots Mondt in a headlock for 97 minutes. Live gates are huge, merchandise sales are huge, the world’s Problematic Fave WWE are making billions upon billions of dollars in increasingly morally dubious ways. Sure, TV audiences are a fraction of what they were during the first (Hogan) and second (Austin) WWF/E boom periods, but do you know why that is? Because no fucker actually watches TV anymore! I asked a Zoomer what their favourite TV show was, and they didn’t actually know what I was talking about, had never heard of a ‘TV’ before, and actually refused to speak to me any further because they’d assumed I’d made a transphobic slur. Wrestling on TV may only get fourteen people and one ferret watching every week, but it’s one of the only things that gets any sort of repeat viewings, so stations like Fox will still throw a billion dollars at them in the hope of securing at least a handful of people to show Dominos Pizza adverts to (also eggs. Ferrets love eggs. You should always do market research). Attendances, money made, CM Punk clout farming (the three most crucial elements to measure cultural integration), wrestling might be bigger now than any point in my or anyone reading’s lifetime.

But wrestling doesn’t feel big does it?

are you going to mention the event at any point?

37 JPEGMAFIA: LP!

2020 #16, 2019 #34, 2018 #44

Yaaaaaaaaaaaaaaars!! Pe-ggy! Pe-ggy! Pe-ggy! The latest astonishing collection by hip-hop’s premier avant garde electronica pushing Communist! You know what that means? That’s right: some of the most progressive and experimental music currently being made by any artist, in any genre, in the entire world. Oh, but most importantly, loads of wrestling references.

It also means that, unfortunately, there’s little space between the much appreciated wrestling call outs to actually talk about Peggy’s music. But do you need any more explanation on how he’s such a generational talent? A thousand articles by writers far more talented than me* have already written lengthy pieces and conduced many interviews that shed light on why you should be deeply ashamed if you’re not already on the Peggy Train. ‘LP!’ (always a fan of exclamation marks) retains a lot of the more melodic and slightly less abrasive styles that he presented on his recent (amazing) EPs, but uses it to only squeeze his music into more unique places. It’s a fucking banger.

Continue reading “37 JPEGMAFIA: LP!”

42 Daughters: You Won’t Get What You Want

One of the greatest/worst aspects of life in 2019 is how we all have the power to fine tune and curate exactly what world we live in, edit and personalise what news we hear and what bent ideology it pours from. When I was a bairn, the whole country basically had the same experience, all the time. We all heard Love Is All Around until we all wanted to ruthlessly and repeatedly embed a screwdriver deep into our own eardrums until the flowing blood hopefully drowned out Marti Pellow’s smirk (not me though, Love is All Around is a fuckin’ choon). We all watched Coronation Street last night, so could debate the meaning of Mavis Whooptuck performing a blood sacrifice in order to bring Harold Hupptickle back from the dead (my memories of Coronation Street are a bit cloudy, I’ll admit). Most importantly, we all got the same news. Sure, many people would still buy utter horseshit like the Sun or the Daily Mail- or The Guardian if they were a little more middle class and, let’s face it, a bit twatty- but we kind of all agreed that if it made it to BBC News, then it was likely correct. Likely due to laws restricting the bias of TV news in this country and the very charter of the BBC forbidding any bias or political inclinations in the news reporting. It’s, of course, not perfect*, it’s not always 100% observed, but it’s at least enshrined into law and aimed for, meaning that everyone always tuned into the TV news at the end of the day expecting them to brush the propaganda from the day’s events and tell us what really happened.

“Julie, for fuck’s sake, can you put the brandy down for five minutes??”

(*there were shocking scenes earlier this year when a BBC news reporter had the temerity to suggest that, growing up with an Indian mother and Mauritian father, racism was actually really gross and that Trump’s racist comments actually sounded very familiar. That’s how seriously we take impartiality- a woman of Asian descent isn’t allowed to call out the racist president for saying racist things and say that racism was bad. Apparently, a lot of viewers were still undecided on racism and didn’t want the crazy hippy idea that it was somehow a negative thing shoved down their throat. A white BBC news guy said similar things, but nobody complained about that, because… y’know…).

Continue reading “42 Daughters: You Won’t Get What You Want”