#47 Perfume Genius: Ugly Season

Picture the scene: an American dude called Mike Hadreas walks into a bar. Now, this bar is in America. Obviously, Mike still doesn’t trust that the danger posed by COVID to yet feel confident enough to contemplate long haul travel. Sure he could go to Mexico – which if you look at a map you’ll see is to the South of the USA – but he’s smart enough to know that Mexico produces Corona beer so he’s not foolhardy enough to take that kind of risk, and he is well read enough to have noted a number of Facebook posts shared by his Uncle that actually place the blame for the Coronavirus outbreak squarely at Mexico’s door. Mike feels that there isn’t enough evidence to confidently state any interpretation of the facts he’s seen. He’s just asking questions. He could also go to Canada, which is commonly referred to as being ‘above’ the USA, but that’s simply due to centuries old Eurocentric indoctrination regarding the supposed superiority of the (richer, whiter) global north over the (poorer, browner) global south. Canada is actually to the north of the USA. But Mr Hadreas has heard that Canada is full of sexual predators and cultural genocide, so that’s out. Charity basketball game? No thank you, Mr Butler, says Mike Hadreas. No, Mike will be visiting a bar in the good ol’ US of USA. ‘Over the pond’. Except Mike Hadreas won’t be crossing any pond. Because he lives there.

Now, again, Mike Hadreas is in America – I think I mentioned it – so this wouldn’t be one of your standard old English style pubs that my readership in this part of the country might be picturing. There’s no intimate wooden interiors; there’s no dartboard; there’s no border collie, soaking wet from that morning’s walk, sleeping next to an open fireplace. There’s no old man with a stick sat on his own in the corner. Being all racist. No, this is an American bar.

YOUR PAINTING BEAUTIFUL PICTURES IN MY MIND

#50: Andrew Bird: Inside Problems

The Bird! Birdy, Birdy, Birdy! El Burdmeister! The Birderino! Big Bird! He’s tall! He’s thin! He plays the violin! Birdo, Birdooooooo! You’re going home in a Birdo ambulance! You’re going home in a Birdo ambulance! He plays arco, he plays pizzicatooooo-woah-woah! That boy Andre Bird, means everyone else blows!

God, I love Andrew Bird. He is brilliant enough, beloved enough (by me) and well behaved enough to always have a place on this list. He’ll never align himself with some of the world’s most boneheaded white nationalists! He’ll never let me down by aggressively and continuously sexually assaulting his teenage fans!

YAY FOR THE BARE MINIMUM!

#51 Arcade Fire: We

Ah, old dependable Arcade Fire! I can always count on including them in the year end list with no controversy! Their sixth album is a miner return to form – not really coming close to equaling their imperial phase of their first four albums, but certainly superior to their messy and unfocused fifth ‘Everything Now’. There are real moments of stirring beauty, as the band lean into their real status as the stadium rock band that it’s not embarrassing to admit you like. Like, never embarrassing. Up to around the 27th August 2022, this statement is watertight. To me, they’re the 21st century New Order, in that their fantastic music is almost always enough to cover up for their frequently awful lyrics (“But some people want the rock without the roll/But we all know, there’s no God without soul“, uuuuuurgh, “We unsubscribe/Fuck season five“, uuuuuuuuuuuuuuuuuuurgh!). ‘We’ is a tight, anthemic effort, which might consider pleasing the crowd more important than making any real creative strides, but nonetheless crowd pleases enough to let its lack of ambition slide.

YAY! ANOTHER EARLY DINNER!

#52 Pusha T: It’s Almost Dry

If kilograms is the groove
I done sold the golden goose
I got ’em, baby, I’m Jim Perdue
Cocaine’s Dr. Seuss

Let The Smokers Shine The Coupes

Yes, we all loved that line didn’t we? Exhibiting a veritable 100 gecs level of anticipating memeability, Pusha T must have known how much the ‘lol random’ crowd would eat that up. However, a later lyric in that same song is far more interesting:

CLICK! CLICK CLIIIIIIIIIIIIIICK!

#53 Tanya Tagaq: Tongues

Canada! Throw another steak on the barbie and… No, that’s the other one isn’t it? Throw another poutine on the Mike Myers, aye! We all love Canada, don’t we? They’re like the USA it’s OK to like! So polite! So, like, a bit American, but not offensively so, but then also a little bit English, so that’s OK! There are bits of it that are French, I believe, but I don’t really have time to logically process that right now. Those white Canadians, they’ve, like, always been there, right? There was never any indefensible stripping of natives’ land, like there was in the USA, as far as I – wider culture – am aware of. No old Canadian movies celebrating the Canadian John Wayne brutally murdering the native population, so I have to assume that it never happened. Who’s the Canadian John Wayne, I hear you ask? Probably Drake. No, I can’t explain it, it just probably is, I dunno. Oh Canada! That’s how the anthem starts, innit? Lovely country, lovely people, such a lovely counterpoint to all the divisive silliness that happened ‘down south’! Shows that actually, yes, it is possible to build a civilised society over there.

GREAT! I REALLY NEED THIS BREAK…

#54 Mark Lanegan: Whiskey for the Holy Ghost

Dying mama
Barely breathing in a bed of nails
To wander through the ruin smoking and pale
I came upon an angel and a nightingale
Hanging where the darkness comes
Between the earth and skies above
Dead weight are my body’s bones
I think I dug too deep a hole
Think I dug too deep a hole
Better run for cover, babe, you better hide
Don’t do no good to wait ’til time decides
Time decides
Time
Time
I need a little more time

Riding the Nightingale

Right everyone, let’s get sad.

Mark Lanegan passed away on February 22nd 2022, adding to Necessary Evil’s sadly growing death list. His last appearance was as a typically commanding guest vocal on the Manics’ recent album highlight Blank Diary Entry. He actually died while I was writing the 2021 Legit Bosses list, meaning a rapid (and, to be honest, rather shocked) rewrite to that song’s entry at #93. I didn’t want that rushed and dismayed edit to be my final word on an artist unarguably an important and consistent part of the modern rock canon, and someone who had long been close to my heart. So I entered the 1994 album that I long considered his career highlight into NE2022.

RIP

#55 Lava La Rue: High Fidelity

Ma dudes, I can’t do this again, how many more thousands of words do all your leeches need from me explaining how much I fucking adore Lava La Rue? They are one of the most exciting, most vibrant, most dang essential up and coming artists in this early stages of the 2020s we somehow find ourselves encased within.

‘High Fidelity’ is more excellence, and subsequently also works as a quick cheat sheet if you want an eighteen minute primer on why Lava’s multi-influenced, energetic yet always vulnerable, ethereal takes on queer romance make them such a pant-wettingly exciting prospect for defining the next decade or so of British music.

DO YOU LIKE THEM THOUGH? I FEEL LIKE YOU’RE BEING VAGUE

#56 Lykke Li: EYEYE

Lykke Lykke Lykke! EYEYEYE!!!

Sponsored by anti-acne treatment, because wrestling is for adults

Sweden’s absolute and inarguable queen of pop heartbreak might be another artist on this year’s list suffering from their insane decision to be consistently brilliant throughout their career and making the risky move of simply releasing another brilliant record. Like, well done, you’re still incredible. ‘Ave a fackin’ biscuit.

I WOULD ACTUALLY APPRECIATE A BISCUIT RIGHT NOW