30 Oklou: choke enough

Right we need to start with some important points:

  1. It’s apparently pronounced ‘OK-Lou’. If you struggle to remember this, just imagine that you agreeing with the former Dinosaur Jr frontman that his later work with Sebadoh was actually up there with his best. I have, however, heard Oklou themselves not really give a shit how you pronounce it, because they lack fucking conviction.

2. Their real name is actually Marylou Vanina Mayniel, which, I dunno, sounds a bit like

No?

(;´༎ຶٹ༎ຶ`)

33 Danny Brown: Stardust

There are few artists as unduly unappreciated, with a back catalogue that’s so ridiculously unappreciated for its consistent experimentation, than Mr Daniel Dewan Sewell. Better known as… yeah, OK, you probably got that…

“Dad, you said we’d go to Alton Towers this weekend…”

His career has been pretty spectacular, even simply going off his entries onto Necessary Evil. 2011’s ‘XXX’ was an intensely arresting bloc party that wittily both celebrated immense substance abuse while nudging the person beside it and joking with a wink “Lol, we’ll be regretting this in the morning! And for the rest of our lives! YOLO!!” It was 2011, ‘YOLO’ was still a thing, don’t blame Danny Brown for that. His hair happened to be on fleek at the time. Don’t hate the player, hate the game. 2016’s ‘Atrocity Exhibition‘, though, delved deeper into the morning afters and came up gasping for air with one of the greatest albums in Necessary Evil’s history (that was unlucky enough to be released in the greatest year in Necessary Evil’s history so didn’t even make the top 5). An absolutely jaw-dropping achievement, incredibly evocative yet bumping music set to perhaps the funniest yet darkly poignant lyrics exposing the slow suicide of substance abuse since peak Shaun Ryder…

I’ma just do what I have to do

34 Samia: Bloodless

There’s something oddly comforting about cattle mutilations, isn’t there? No? Just me? Cows mysteriously and clinically slaughtered, no footprints, tire tracks or evidence of human involvement at all. Like the cows were painlessly Raptured from this stinking Earth and their own servitude that only leads to slaughter by different means. The corpse left there decaying in the son, but their bodies hollowed out by draining, lying there empty and bloodless.

There’s something quite undeniable about the possibility of just… disappearing. You wouldn’t need any reasons, no tragedy or story to worry your family with, you can just – poof! – drain your whole body of all its essence and leave an empty husk in the sand to be discovered by an Idaho rancher.

but where’s the blood

Necessary Evil 2025: The Ragin’ Climax

The stage curtains open, revealing 40 lovely ladies in bathing suits, wearing sashes that denote which of 2025’s greatest albums they represent, blinding the front row with quite how dazzlingly white their full toothed grins are, in danger of taking someone’s fucking eye out with quite how resplendently squeezed tight their open cleavages are.

I come out through the floor on an elevating platform, full suit and bow tie, hair slicked back and microphone in my hand:

“There she iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiis, Miss Necessary Eviiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiil…!”

“…and I said ‘Lady, that ain’t no gear stick!!!’ Seriously though, if you don’t let me videotape me pissing on you then I’ll eject you from the competition

Considering this will be the seventeenth time that I’ve collated the Scientifically Proven Best Albums of the Year™, I’m pretty sure I know what I’m doing by this point, yeah? I had only just graduated from university when I started writing this dumb list that nobody reads, and I’ll be freaking forty two when I finish the 2025 vintage! Considering my physical health (which, in 2025, has definitely started to take on a whole ‘end of days’ start of feel), it’s looking more and more likely that I will die before I ever retire this list. Mate, I would love to stop, this is a massive pain in the arse that ruins Christmas and my birthday for me every year. But if I go, then who seriously is there to take my place?? Pitchfork?? Give me a break. Fantano?? Bald fraud. Smash Hits??? Mate, I don’t like having to break this to you, but Smash Hits Magazine shut down in 2006. To quote a far less talented (but bizarrely more feted, which is often how it goes) personality who has been able to actually retire this year: I’m still here because you can’t do your job!

the last time ISN’T now

Staturday Night Fever: The Best Music of 2024 In Numbers

Have I done that pun yet? Mate, I am struggling, honestly…

So here we are again, a round up of the hot stats of the best albums and songs of 2024, which I have bizarrely fallen into the habit of doing doing eleven fucking months after the Necessary Evil list of the best albums and songs of the year is actually published. Why do I always leave it this long? Because, quite simply, after writing 40+ blog posts and a gargantuan song list in little over a month, my brain seriously doesn’t want to even acknowledge the previous year’s music again for at least a thousand years.

I almost didn’t do it this year. But – but! – then I realised that 2025’s list might have some extremely notable points! So maybe I’ll retire this dumb fucking tradition once I get round to that in winter 2026. Until then? Yeah, we gotta do this.

I do like making these purdy pictures though…

Stats in the cradle and a silver spoon

Top 40 Prince Songs Recorded Between 23rd April 1985 and 31st March 1986

The eighth Prince album ‘Parade’ was released in 1986. It has twelve songs on it. Is it any good? Mate, spoiler alert! You’ll find out if I think it’s a stinker when I list the 2025 Necessary Evil albums of the year!

Previously though, I have included tracks from Prince’s albums in my Legit Bosses countdowns of the best songs of the year. But that’s not really fair, is it? When He was listed as the joint best song of 2024 people were piiiiiiiiiiiissed!

So I’m going to give Prince His own dedicated countdown, at least in the near future, simply ranking all the songs that He recorded between His last album, 2024’s ‘Around the World in a Day‘, and 2025’s ‘Parade’. So, ranking ‘Parade’s twelve tracks, right?

Well… no… I could never settle on an exact number, but Prince recorded somewhere between 60 and 100 original songs in the eleven month period between the two albums. Eleven of them would appear on ‘Parade’; one would appear on His 1987 album ‘Sign ‘O’ the Times’; a handful would appear on future albums; some were given to protegees and other artists (including one that was famously taken the fuck back); and many are instrumental jams that were… maybe… never going to be released, but Prince was planning an instrumental jazz album at the time so it’s impossible to say.

We are now entering Prince’s most prolific period: in the next two or three years He would plan and then cancel at least four separate albums, countless side projects, a damn play, He would split up His band, start to question whether Warner Brothers were working in His best interests; and launch a near impossible to count number of failed protégées. It’s quite a ride.

Oh, and that 23rd April 1985 (when ‘Around the World in a Day’ was released) to 31st March 1985 (‘Parade’) timeline is occasionally loosely applied by a week or so (and, in one case, two fucking months). I’ve gone with the first recording of each song, as otherwise we have no idea (so, obviously, thanks a billion to https://princevault.com/.

Here’s the YouTube playlist, you lazy bastards.

This is what it’s like in the Dream Factory

Proper Journalist Kitty Aurora’s Emergency Review of the New Cam Cole Single

[one more shot from The Oracle, who has written enough on this blog to have their own category on the site. They’ve long been a fervent believer in the music of Cam Cole, which you will have gathered from their review of the 2023 Freaks in a Field festival. However, Cam Cole’s new single was released a couple of days ago and Kitty HAS THINGS TO SAY]

I’ve loved Cam Cole for nearly 7 years. Since the days when his music sounded like it was clawing its way out of a dark alley at 2 a.m. Raw, ragged, alive, and impossibly human. I promoted every track, shouted from rooftops (not sorry for pissing off friends, family, neighbours, my kids). I annoyed everyone and embarrassed myself frequently. All part of being in the outer circle of the fan circus. I didn’t care; I’d get the tracks in people’s ears one way or another.

she’s what i want and I want her

#7 Young Jesus: The Fool

God damn it…

Yeah, I was insanely sick the past couple of days. It started when a toothache started to really make itself very noticeable while I was writing my JPEGMAFIA piece on Thursday. I phoned up the emergency dentist and made an appointment for the next day, for the second time in the past ten days. “But Alex”, I hear you cry, “Why aren’t you registered to a regular dentist? Or why haven’t you even gone to the dentist in the previous decade??”. To which I reply: shut up, mum! Anyway, soon after I made that appointment, my toothache became unbearable. Paracetamols were no good, I’m apparently not supposed to take ibuprofen because of my ulcerative colitis, so I was running out of options. Until I remembered that I used to be prescribed codeine! I rooted through all my old medications until I found a pack, and then munched down about a thousand of them! This kinda sorted out my toothache, but at the same time fucked me over in every other sense. The next day, I could barely get out of bed, cancelled my Chinese class in the morning, and honestly tried to write this fucking post, but my head felt like all my brain synapses had been placed inside an oil drum that had been violently kicked off the top of the K2. The effort it took to exist yesterday was already unbearable, never mind write this dumb list that nobody reads.

Which is a shame, considering that this is the only album on the list so far that actually has a song on it written about me. No, honestly, it does. Yeah, I know that sounds crazy, but it’s not, don’t put in the paper that I got crazy.

Hala Yasser Hamed Al-Sinnwa

#25 John Grant: The Art of the Lie

I’ve got the poise of a newborn giraffe
And I feel like I’ve fallen off the wagon
My moves are quite clearly unchoreographed
My comportment like that of a Komodo dragon

You deactivate my defense mechanisms
I think I’m coming unglued, I have emotional whiplash
I cannot brandish my trademark aloof cynicism
I’ve taken up macramé, just to deal with the backlash

Marbles

Oh, what’s that, Alan Sparhawk, you’ve done some experimentation on your new album? Played around with vocal and electronic effects? Crafted something different than what you’ve done previously and embraced a new sonic guise with your new record? That’s cute.

Layan Abd Al-Karim Asaad Al-Dahshan