Legit Bosses – The 160 Best Songs of 2023

In their 1972 book ‘Psychology of the Arts‘, Hans and Shulamith Kreitler tried to explain the reasoning behind why certain people react in certain ways to certain pieces of art. However, they deemed that to fully explain it, your knowledge of each person would need to “extend over an immeasurably large range of variables, which would include not only perceptive, cognitive, emotional and other personality characteristics, but also biographical data, specific personal experiences, past encounters with art, and individual memories and associations”. Sounds like a lot of work, right? Well, luckily, I’m here to just tell you what the best music of 2023 was, so all that effort behind your own personal psychosis can be sidestepped altogether. Think of it as my new year’s present.

no spoilers on what number this particular classic finished

And there’s one hundred and sixty this year. Maybe one hundred and sixty one. Because there was a lot of great tunes released in 2023. While limiting the Necessary Evil list to just 40 albums still meant there was space for at least one ‘meh’ album and one absolute stinker, over the past week I’ve actually had to really edit this list down to prevent it being ridiculous. And yet here we are: 160. Maybe 161.

I’m also going to be giving shout outs to particular golden moments in certain songs – similar to what I did in 2018 – and for each of those I’m going to be using a picture of one of the greatest moments in the short history of All Elite Wrestling, because… well… I get the horrible feeling that company is cooked and I hope to look back on this list in five years time and laugh at how pessimistic I was.

Can I finish this before 2024 and maybe have some days off before I go back to work?? Let’s seeeeeeeeeeeeeeeeeeeeeeee!!

[Edit: No. No I cannot. Not even close.

You’ve got some playlists though, will that make you happy?? Here’s the countdown on Spotify and on YouTube, minus the unavailable songs on whatever platform]

I REMEMBER NOTHING, SO THERE’S NOTHING TO REGRET

“Gender is Garbage”- Aqua Girl (Elora Faith) Gets Woods

Listen, I’ve tried to explain to you gormless mouth breathers before that Aqua Girl is pretty freaking special. Her 2018 debut was one of the best albums of the year, a knock out introduction to a talent able to write songs that candidly narrated a perhaps under represented  perspective of the transgender and nonbinary experience.
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But- and I’ve long been concerned that maybe my review of her debut didn’t properly credit this- she’s not ‘just’ a singing trans woman, her gender identity doesn’t define her- she’s special because she frequently writes fucking bangers! As Elora Driver, she’s already released Sunburn, one of the best songs of 2020 so far, and she’s smart enough to realise that, logically, perfect pop songs rarely need to last longer than two minutes.
When she announced in March that her second album proper was on its way in April, I was, obviously, so excited that I wet myself for three minutes straight. Like, I just drained myself of moisture, you really should have been there.  It was clear that I needed to mark this momentous occasion with a blog post, but did this mean a freaking album review?? I hate ‘reviewing albums’! I sit down and have time to listen to the album a dozen times on repeat, then I’m supposed to dribble out 2’500 words on how it made me feel?? I don’t know how it makes me feel! I haven’t lived with it for any decent time, it hasn’t soundtracked any glories or any tragedies in my life yet, I don’t know which track I jump to if I need to be taken up or taken down, I couldn’t yet tell you which track gave me a tiny bit of an erection while I was on the bus last Wednesday morning. If I reviewed it after merely hours after first being introduced to it, I would rate it as ‘pretty good’, as that’s almost all you can say about a piece of art that early on.
So I thought… what if I interview her…? Let her explain her positions in her own words rather than me making widely inaccurate and borderline offensive statements based on me force feeding the work for a handful of listens. I put the idea to her on Twitter and she was kind enough to agree. The following interview took the form of an email exchange over the course of a couple of weeks, but if you’d prefer, picture us both in the bar at Ritz-Carlton, me furiously scribbling Elora’s words of wisdom with a stubby pencil that I store in my cap, while she sprawls back on a chaise lounge with a smirk on her mouth and one eyebrow archly raised as she charmingly answers questions between sips of cognac. All while we keep four feet apart, of course. To be honest, I thought the interview would be more of a frivolous and lighthearted series pf responses to dumb questions, but Aqua Girl actually managed to pull it into engaging and almost profound places through sheer force of charisma, until the interview ends up almost interesting. That might be Aqua Girl’s greatest achievement to date

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