1.(of a process or system) characterized by constant change, activity, or progress
It’s never talked about in 2024, but Oasis were actually a far bigger deal than Nirvana.
In the UK I mean, of course. I am from the UK and writing this in the UK from the perspective of someone who lived in the UK in the 90s. If I were Spanish, I might be writing the praises of the million selling debut album by Laura Pausini, by far the biggest selling record of 1994 in that country. If I were Japanese, I might be talking about how neither Nirvana nor Oasis can hold a candle to Mr. Children (ミスターチルドレン), whose 3.4 million selling ‘Atomic Heart’ album obviously hit that sweet spot between tentacle porn and genocide denial that the country cherishes so much. But, I’m writing in English, so you’d probably just imagine I’d cede to the American version of history, as we are so often wont to do.
Life has been unfaithful And it all promised so so much I am a relic I am just a petrified cry…
I see liberals I am just a fashion accessory People send postcards And they all hope I’m feeling well I retreat into self-pity, it’s so easy Where they patronise my misery
The Manic Street Preachers are the greatest rock band ever. That’s not an opinion, it’s a conclusion that I’ve reached and am now saying it loudly and not listening to any dissenting voices, which in 2021 counts as a ‘fact’.
Their greatness is… complicated… and not easy to explain in a simple intro to a blog post… These 100 tracks aren’t necessarily the greatest songs ever. Even as a pathetically dedicated Manics stan*, even I would argue that they’ve only ever released one indisputable, stone cold classic record from front to back (see if you can guess which one after you read the list!). They may have supernatural control over melodies and how best to ensure a chorus hits just there, but at the end of the day they’re just a rock band. They have never really challenged the very boundaries of music, never pushed things forward or necessarily introduced anything new sonically. I would argue that only one of their albums is truly challenging and experimental, rather than just being a break from what the band usually produce (yeah, it’s the same album…). I mean, Jesus, they once shamelessly released a song including the lyric “The world is full of refugees/They’re just like you and just like me“. That’s unforgivably bad, isn’t it? They can’t come back from that, artistically.
“You stand there and you think about what you’ve done”
(*I may occasionally use cool, groovy, young person lingo like ‘stan’ so you think I’m a hip young gunslinger. Not, y’know, old enough to be a Manics fan)
I’m not able to explain their magic here, but over the next one hundred (!) entries you’ll hopefully all have a better idea. It’s not as dominated by the 90’s as I was worried it might be, and every album is represented (apart from one. Because their tenth album is worse than Hitler). I’ve been wanting to find the time to do this for ages, partially inspired by the great What is Music podcast covering their entire discography and reminding me of how many big veiny stonkers this band had bulging out of their collective musical swimming trunks. They’re talking about Muse on that podcast now, a band for morons, so you only need to listen to the last season. My major blind spot is I don’t think they’ve done a decent b-side since 2001. Now, I’m sure I’m wrong, so please correct my ignorance in the comments. Tell me how wrong I am. Post your top tens. Your top hundreds. The Manic Street Preachers’ fan community is one of the greatest in the world, and no other band are as connected with their fanbase and feed off their adoration as much as The Manics. So let’s celebrate that by calling me a fat slut in the comments because I didn’t choose Little Baby Nothing.
Necessary Evil 