An Embarrassingly Late Review of All In 2024

Yeah, it happened again, And I went again. Then the week after, I had an OISC Level 3 exam for the highest possible accreditation in immigration law. Oh, and between those two things I watched the Magnetic Fields perform ‘69 Love Songs‘ in full over two nights at the Albert Hall, so there’ll probably be a blog post related to that at some point.

“But Alex”, I hear you squeal, though it’s difficult for you to speak through painful wheezes, as you sitting up in indignation is the most exercise you’ve done in eight months, you fat fuck, “Wasn’t it pretty stupid to arrange a trip down the London mere days before the most important exam of your life?” .

And I reply: “Of course it was. But this is professional wrestling, everything to do with it is as stupid as shit”.

Last year I wrote an intimidatingly bloviated three parts and more than sixteen thousand words on the event. This year, there’s going to be one part, there’s going to be significantly less than 16k words, and we’re all going to come out the other end much happier people, I promise.

Even though the 2024 All Innit was a vastly superior show to its predecessor, and must rank amongst the greatest professional wrestling shows ever held in the UK.

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The Legit Bosses:136 Best Tracks of 2018

This is officially the end of 2018! And it’s only the 5th January [EDIT: Still only the 6th!]! Although there’s freaking one hundred and thirty six  tracks to get through, so this may well take until mid May! Happy Cinco de Mayo! No time to talk! A shit load of songs to get through!!

136 Candace: Rewind

Gorgeous, innit?

135 Epic Reflexes: Cha Cha

While Z-Tape’s ‘Spring’ collection was veritably busting at the seems with Legit Bosses, as you’ll soon see, this is the only similarly legitimate position of authority from their ‘Summer’ collection. They’re all still great though, as is the Epic Reflexes’s album ‘ChaChaChinatown‘.

134 The Carters: Apeshit

I had a lot of problems with ‘Everything is Love’, the surprising debut release from Beyonce and Jay-Z. Part of the reason I struggled with it was that I wasn’t sure how canonical it is. Like, is this it, Bee? Is this underwhelming collection of occasionally very entertaining rap boasts officially your actual follow-up to one of the most acclaimed albums of the 21st century? It’s an album about how two very rich people love each other but probably love their money more, that includes the line “My grandchildren’s grandchildren already rich” which, despite Kanye’s crisis of publicity, is by far the line from 2018 that Donald Trump is most likely to high five in a men’s locker room. Also, there’s a moment on the opening track where Mr Carter drawls out “Let it breaaaathe, let it breaaaathe” like JB Rockefeller basking in the glory of a fart he’d just released under the bedsheets, which marks the first time in more than two decades that I’ve thought to myself that I don’t think I really like Jay-Z. However, he often wins me back with the later claim that he’s “Good on any MLK boulevard”. This song’s pretty great though

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Fucking hell, Jay, that haircut though… One hundred and thirty three more after the jump!

Continue reading “The Legit Bosses:136 Best Tracks of 2018”