Tag: pulk/pull revolving doors

#9 The Smile: Wall of Eyes

~ Lex Leeson ~ 5 Comments

The kind of dialogue that they want to engage in is one that’s black or white. I have a problem with that. It’s deeply distressing that they choose to, rather than engage with us personally, throw shit at us in public. It’s deeply disrespectful to assume that we’re either being misinformed or that we’re so retarded we can’t make these decisions ourselves. I thought it was patronizing in the extreme.

Thom Yorke explains their stance on Israel to Rolling Stone 2017/06/02

Strap yourself iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiin!!!

Apart from the Joe Biden and the Neonazis, few people have as long and as enduring an affection for the state of Israel as the fellas from that there Radiohead. And I can kinda appreciate their reasoning, at least more than I can Nick Cave’s pathetic fanboy “OMG! This is the bar where Jesus shot Gredo first!” or whatever the fuck. It’s even arguable whether, without Israel, Radiohead would have even made it to a second album after the ridiculously of-its-time posh boy grunge karaoke of their debut.

Alaa Murad Ali Binat

6 Thom Yorke: ANIMA

~ Lex Leeson ~ 3 Comments

See, Thom? Do you see? Do you see what you can achieve when you stop mucking about?

source

I didn’t like the last Radiohead album. I thought it was too often lazily and ponderously similar to the rather lazy and ponderous first half of ‘King of Limbs’, their previous album. Oh, that reminds me, I didn’t really like ‘King of Limbs’ either, but I thought that the second half of the record was just about enough to salvage the record. Then there have been his solo records. 2013’s ‘Atoms for Peace’ project was described in some quarters as ‘musical farting about that will have you stroking the nearest beard in appreciation‘, and then there was 2014’s ‘Tomorrow’s Modern Boxes‘- which I honestly completely forgot about until I just Googled his discography because I was certain he’d been responsible for more bullshit recently- which paled ‘next to even his debut solo LP and last year’s patchy Atoms of Peace (sic) release’. What I’m saying, dear reader, is that Thom ‘Fuck Phonetics’ Yorke hasn’t been involved in a consistently great album since 2007’s ‘In Rainbows‘. You’re allowed to have your own opinion, of course, just remember that it’s just an opinion. What I’ve just said is a fact.

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