2 Prince: Parade

Yeah, I was completely baiting you when I said that this 1986 stone cold classic and eighth stop on our annual trawl through the most interesting back catalogue in 20th century pop might have been named the best album of 2025. It isn’t, and no Prince album on this journey ever will be named as the album of the year: While these annual lists can contain records from all kinds of points in recent and ancient musical history (this year’s list already has ancient texts dating all the way back from 2022), the #1 album always needs to have been released in the qualifying 12 month period. I’m not saying that my personal favourite ever Prince album would have been named #1 if it could, all I’m saying is that it couldn’t. It also means the competition announced on Christmas Day is still open! Nobody’s won it yet! Nobody’s entered it, admittedly, but I assume that’s because all my millions (and millions!) of readers are still just thinking really hard about it.

By 1986, it had essentially always been Prince and The Revolution. Ever since Prince needed a backing band to tour his recently released (and completely self-composed) debut album in 1979, that group (Dez Dickerson on guitar and backing vocals, Andre Cymone on bass guitar, Bobby Z on drums and percussion, Gayle Chapman on keyboards and, obviously, Matt “Dr.” Fink on keyboards) may not have had an official name yet, but they were the first building blocks of what would soon become by far and away Prince’s greatest ever collaborators. When Gayle Champman was replaced by  Lisa Coleman in 1980 and Brown Mark replaced Andre Cymone the year after, this thrillingly tight and unbelievably exciting live band were considered at least enough of a part of the Prince package to be given… a hidden backwards credit on the ‘1999‘ album cover.

Goodness will guide us if love is inside us?

#5 Prince: Around the World in a Day

January 28th 1985 was a shade over seven months since Prince had released one of the greatest selling albums of the year – which would eventually grow to a 25 millioner amongst the best selling albums of all time – ‘Purple Rain‘ – and He had ten nominations at that night’s American Music Awards that He was attending. There was a special buzz around that night’s particular AMAs, part of which revolved around Prince going up against His eternal rival Michael Jackson in several categories. This was a non event though, as Prince won awards for Favorite Pop/Rock Album, Favorite Soul/R&B Album and Favorite Soul/R&B Song for When Doves Cry, while Jackson (moon)walked away with nothing. Anyway, in a series of decisions that history was sure to look kindly on, neither Prince nor Jackson could compete with Lionel Richie, who walked away with six awards including Favorite Soul/R&B Male Artist and Favorite Soul/R&B Male Artist. Prince’s performance of Purple Rain that night – which Billboard would later name as the greatest performance in the awards’ history – would ensure those decisions would look immediately ridiculous.

But the 1985 AMAs were most notable for the fact that, right after the ceremony that night, this absolute royalty of popular recording artists would – rather than spend the night covered in so much gak that their face resembled Elizabeth I and being serviced by heavily narcoticised groupies whom IDs was encouraged not to be checked by the entourage, as would usually be the case for successful music artists in the 80’s – they would all be whisked off to the Hollywood AGM studios to record We Are the World, a song written by Michael Jackson and Lionel Richie and produced by Quincy Jones to benefit ‘USA for Africa‘ (America’s version of Band Aid). It would become the fastest selling single in US history and serve as the climactic singalong at that July’s Live Aid Philadelphia concert.

Prince, though, wasn’t really feeling it.

Ahmed Alaa Abd Al-Majeed Issa

Legit Bosses pt.3: The 40 Best Songs of 2020

Hey! Top forty ! This is a nice, normal, manageable list isn’t it? Should I maybe have just limited 2020’s best songs to this workable and succinct top 40 list? What, and not mention Wock in Stock or I Don’t Know, Burn Stuff? I’m not sure I’d ever be able to forgive myself.

That’s all the introduction you’re getting, parts one and two were more than enough foreplay, there are some absolute modern classics in this final countdown, and if you’re as half as surprised as me at what comes out on top…

Maybe, I mean, I still might change it…

#40 Fiona Apple: Under the Table

A very ‘Fiona Apple’ Fiona Apple song, but that is obviously entirely a Good Thing. Lyrically, it’s untouchable, with Ms Apple taking issue with dinner party conversation and refusing to be silenced (“Kick me under the table all you want/I won’t shut up…I would beg to disagree/But begging disagrees with me”). Amongst the barbed and often hilarious response to tension, she also manages to squeeze in some absolutely amazing lyrical asides:

I’d like to buy you a pair of pillow-soled hiking boots

To help you with your climb

Or rather, to help the bodies that you step over, along your route

So they won’t hurt like mine

I’m going to be really noncommittal and say that Under the Table is definitely one of the best lyrics of the year. Don’t make me choose. No, seriously, don’t make me choose, you know I’d just give it to a 1993 Manics’ lyric and ruin the legitimacy of the whole operation.#

Continue reading “Legit Bosses pt.3: The 40 Best Songs of 2020”