4 SZA: SOS

This ain’t no warning shot, in case all of you hoes forgot, they know we’ve been more than lost. Us punk-asses tried to replace them but the stakes were too high, we weren’t able to live off some SZA mini-me. In December 8th 2022 they dumped this album like a press squeeze, they were horny like “Suck these”, daring like “Touch me”. They just want what’s theirs, after spending more than five years watching countless people try and fail to replicate the magic of their debut album.

And it’s hard to be a SZA mini-me. Their incredible 2017 debut album felt like a true moment in the history of recorded music. It’s one of the handful of 21st century records – as our tastes become more and more individualised and the latest stage of capitalism involves eliminating community and creating more dividing lines along identity – that is near unanimously considered an all-time classic. It spent more than 300 weeks on the Billboard top 200, selling millions of copies. You gotta rip that off, right??

OUT OF REACH, OUT OF TOUCH, TOO NUMB, I DON’T FEEL NO WAY

8 Ethel Cain: Preacher’s Daughter

Fucking hell, first today I have to write about a black kid born into Jim Crow Alabama (like, literally Jim Crow, not just modern Alabama, which may still be accurately described as ‘Jim Crow Alabama’), now I get to Hayden Anhedönia, raised in one of those creepy Southern Baptist communities (Hayden was literally the preacher/dean’s son, and when their Daddy would visit they’d come along, while Mummy sung in the choir) and was home schooled. Home schooled!! You know that they’re fucked up. Why am I covering all of America’s weird and traumatic – but always buttressed by religious belief – traditions today?? Oh, and before you ask: no, there isn’t a song here as good as Olivia Rodrigo’s ballad of a homeschooled girl, so let’s nip that in the bud straight away.

I talked to this hot guy, swore I was his type
Guess that he was makin’ out with boys, like the whole night

I don’t get religious people. Hayden told their Mum that they liked boys when they were 12 and, yeah, I get how religious people don’t like unrepressed homosexuality (“I was the spawn of Satan to most people. The first person who told me that I wasn’t going to hell when I died was my therapist that my parents forced me to get when I was 16.”). Hayden left the family home aged 18, shaved their head for a while to try and be as masculine as possible (““I’m going to be a boy, and my family is going to love me, and I’m going to make them proud”), but that didn’t last long. On their 20th birthday, they came out as trans. What I don’t get is… Won’t their family accept them back now?? I get how they need to repress homosexuality – that’s kind of their ‘thing’ and it would be culturally insensitive for me to criticise that – but now Hayden is a woman who likes boys! They’ve come back around the other side! They’re straight again! Show me the part in the bible that disproves what I’m saying, you bunch of freaks. Didn’t Jesus come out of that cave three days after being crucified dressed as Trinity from The Matrix while praising the positive effects of their recent top surgery? Dude, look at that gorgeous flowing hair! You’re telling me a cis guy takes that much care over their hair routine?? Also, a carpenter?? So obviously a lesbian.

IF I TAKE A STEP BACK TO SEE THE GLASS HALF FULL

10 yeule: softscars

Soft scars on my skin, silicone, porcelain
I’m not one of them, love you ’til thе end
Give me onе more dose, turn me into a rose
Water me ’til I wither, 404 error

God created man, motherboard, wires and
Blood, bones, flesh, breathing, suicide engineering
Soft scars on my skin, silicone, porcelain
I’m not one of them, love you ’til the end

x w x

Oh my God! That’s it! Fuck you, Protomartyr, with your “kissing the ass of billionaires” nonsense, why should I listen to any of you? You’re all, like, a million years old. Nat Ćmiel, the Singaporean genius behind yeule, is in their mid twenties, they know what human beings’ attempted relationship with the online world is grasping at. Ćmiel knows that we’re not reaching out to praise a capitalistic God. They know that capitalism has already beaten any true beliefs out of us. Late stage capitalism has divided us, it has forced us into isolation, crushed anything approaching ‘community’ into tiny pieces of dust and demanded that those pieces of dust reach out to nobody, just become statistics and scrolling machines to tempt enough of the other specks of dust to pay their own subscriptions so they can wokescold you for buying a McDonalds, because you don’t really have the time nor money to do all you’re allowed to do to protest Israeli genocide. Of course, if we just came together and organised we could maybe make real roads towards overthrowing the imperialist system, making atrocities like the ones taking place in Israel, Yemen… Oh, never mind, you’re still writing a lengthy post complaining about Nat Ćmiel using they/them pronouns, aren’t you? We’re all on the same side, you egg sucking dog.

EXCUSE MY STATE, I’M AS HIGH AS YOUR HOPES

17 Lauren Auder: the infinite spine

I was born an open wound that only suicide could sow up
But I refuse that healing thread, I wanted God to look at us
And she whispers you sweet nothings, you hope it’s true enough
To keep you here ’til you give yourself up

33 & golden

Do you know what happens when you open an album with a line of delicious ideation like “I was born an open wound that suicide could sow up”? Do you know what door you prise open when you begin your album career with such a beautifully nihilistic suggestion like that? Do you know what you get if you awaken my never fully dormant but always pathetic Richey Edwards fandom??

You get what you deserve.

Which is my attention.

DOCTOR, DOCTOR, HAVE MERCY ON ME, TAKE THIS PAIN AWAY

18 Lost Girls: Selvutsletter

Fancy a quick look behind the curtain? A glance into the magicians’ circle? A unobstructed look up the wizard’s sleeve?

“Who’s ready to PAAAAAAAAAARTAAAAAAAY?!?!”

I kind of wasn’t going to bother with the Lost Girls’ second album?? I mean, I bothered to an extent: I bought the album digitally the day it came out, because I’m the last person in the world just buying albums because I like to financially support artists I consider incredibly important but that I worry about their work being financially rewarding in late stage capitalism. It’s bullshit, I know, and Bandcamp is about to be stripped for parts, because it’s a gross company like all the other gross companies, but it makes me feel better. Oh, and artists like Olivia Rodrigo who are too big a deal to ever have a Bandcamp page? Yeah, I torrent that shit. We don’t have time to discuss all of this now, what I mean by not bothering is that I wasn’t going to bother putting it on the list this year.

DOCTOR, DOCTOR, ANYTHING, PLEASE

23 Caroline Polachek: Desire, I Want to Turn Into You

I am my father’s daughter in the end
He says, “Watch your ego, watch your head, girl
You’re so smart, so talented
But now the water’s turning red
And it’s all your fault, and it’s all your mess

Welcome to my Island

Ah good, enough of that privileged bollocks like Olivia Rodrigo, time to hear from some real artists who have clawed their way up from the very bottom through sheer force of talent. When you’re willing to pull yourself up by your bootstraps like Caroline Polachek (daughter of James, classical musician, MD at Harvard, PHD at Berkley, taught Chinese History at Columbia and Princeton) then anyone can.

I’m being flippant, of course – I know! Me!? Can you imagine! – I just wanted to highlight how any discussion of supposed ‘privilege’ is a bit of a box of wasps, and a lot of people are going to have to get stung. Just be aware that you’re unlikely to sting just the person you intend to complain about if you open that box, and also that advantages exist beyond appearing on Disney shows growing up.

I WAS LOOKIN’ FOR A MAN WHO WAS ON THE SAME PAGE

24 Olivia Rodrigo: GUTS

When am I gonna stop being wise beyond my years and just start being wise?
When am I gonna stop being a pretty young thing to guys?
When am I gonna stop being great for my age and just start being good?
When will it stop being cool to be quietly misunderstood?

Teenage Dream

OK, I’m going to suggest something pretty revolutionary now. No, way more revolutionary than just replacing capitalism with a socially owned system that benefits the working class through their ownership of the means of production. That’s nothing. That’s just, like, the base level sentiment that I hope is evident in every single thing I write. That’s not even revolutionary. It’s scientifically proven and inevitable. Join the Communist Party, you cowards.

So that’s all facts. #Facts, as the kids on X say. Formally known as the kids on Twitter. What I’m about to suggest? You freaks ain’t even gonna be able to see the box anymore considering how far out of it you’re about to be thinking. Stick this in your mind microwave and I promise you one thing: shit’s gonna melt. I’m suggesting that we sit back for a second and consider something far, far, far more mind-blowing and world changing than merely Marx’s recognition of the capitalistic mode of production and his employment of historical materialism:

DRUNK CALLs, DRUNK TEXTS, DRUNK TEARS, DRUNK SEX

Legit Bosses: 2021’s 121 Greatest Songs

You know it’s all about that boom! Legit Bosses, baybay!*

(*yeah, that song isn’t actually included. It’ll be on Legit Bosses 2022 though! I’m just a bit slow with these things…)

So, only 121 this year, a marked decline on 2020’s 125. So was it a notably worse year? Absolutely chuffing not. Despite the 2.928% drop in numbers, the quality on show is outstanding. Never mind the weight, feel the quality. The top maybe twenty songs especially are on some next level shit, and you haven’t seen so many GOATs since you traumatically happened upon Weird Uncle Colin’s problematic porn collection back in 92. I also shaved a few songs last minute, mainly because they were from albums due to be released in 2022 and I decided to make them Next Year Alex’s problem. Also, one or two I realised… weren’t… actually… that… good… So that just means the 121 that made the cut are all of such spectacular quality that you may want to warn the people around you before you start reading this list, as the floor between your legs is about to get soaked.

No, no, hey, maybe it’s you that’s too gross, ever considered that??

Anyway, let the festivities begin, here are the playlists:

Spotify

YouTube

Continue reading “Legit Bosses: 2021’s 121 Greatest Songs”