4 SZA: SOS

Dec 21, 2023Jan 27, 2024 ~ Lex Leeson ~ 4 Comments

This ain’t no warning shot, in case all of you hoes forgot, they know we’ve been more than lost. Us punk-asses tried to replace them but the stakes were too high, we weren’t able to live off some SZA mini-me. In December 8th 2022 they dumped this album like a press squeeze, they were horny like “Suck these”, daring like “Touch me”. They just want what’s theirs, after spending more than five years watching countless people try and fail to replicate the magic of their debut album.

And it’s hard to be a SZA mini-me. Their incredible 2017 debut album felt like a true moment in the history of recorded music. It’s one of the handful of 21st century records – as our tastes become more and more individualised and the latest stage of capitalism involves eliminating community and creating more dividing lines along identity – that is near unanimously considered an all-time classic. It spent more than 300 weeks on the Billboard top 200, selling millions of copies. You gotta rip that off, right??

OUT OF REACH, OUT OF TOUCH, TOO NUMB, I DON’T FEEL NO WAY

12 Mogwai: Mogwai Young Team (Remastered)

Dec 14, 2023Jan 27, 2024 ~ Lex Leeson ~ 3 Comments

Listen, boys and girls and others, I’mma keep this relatively brief. I feel like my words are pretty irrelevant here, I’m not sure that it’s easy or even possible to explain the beauty, the power, the genius of one of the greatest albums released during my lifetime. My short lifetime. I am young. I’m basically a baby.

1997 was the best year for music, don’t @ me. There wasn’t even a Manics album that year, so I’ll let that sit in just how powerful a statement that must be coming from me. British music, at least. I was in Britain at the time, you see, and though we were still obviously pathetically in awe of the USA – all the cool kids hated Friends, while every movie at the cinema starred Will Smith or George Clooney or… erm… Robert Carlyle…? – the world wide webification hadn’t yet taken over. What’s big in the US is now just big in the UK, because we’re all hooked up to the same companies’ propaganda machines, but back in ’97 we still kinda did our own stuff. Fucking Full Monty was the biggest movie of 97 (and, for a short time before Titanic, of all time in the UK*), nine of the top 10 selling albums of 1997 were by British acts. Trust me, bro: Jewel? Third Eye Blind? Tim McGraw? Notorious motherfucking B.I.G?? We had no idea who these people were. And you know what? We were happy.

I GOT A NEW MAN ON ME, IT’S ABOUT TO GET SWEATY

Necessary Evil 2020 pt.13 (15-11)

Dec 20, 2020 ~ Lex Leeson ~ 9 Comments

#15 Burial: Tunes 2011-2019

Yeah, you know how JPEGMAFIA’s album was just a collection of singles from the previous year? Well, Burial sees that effort and raises it by releasing a collection of singles and EPs from the better part of the last decade. Might have made sense to split the two albums up on the list. This list isn’t about aesthetics and sensible ordering though. It’s pure science. And if the science states that they should be placed next to each other, perhaps both fitted with a secret microchip so Bill Gates can track their movements, then who are we to argue?

Sigh… I’m going to have to start with an embarrassing confession. I know, many of you reading this already think all the things I write are shamefully embarrassing, but this is a distressing mark against my musical knowledge which, come on, up until now was unimpeached. In November of 2019, roughly a month before this collection came out, I wrote this:

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My Life in Albums (part 2 97-06)

May 17, 2020May 19, 2020 ~ Lex Leeson ~ 8 Comments

You want an intro? You got that in part one! Let’s get down to the dirty, sticky and dangerously unhygienic business:

1997

This was an important year for me, this was when shit got real. Yeah, Labour won the election, which I was aware I was supposed to celebrate but not yet conscious enough to know exactly why, just that ‘our team won*. Princess Diana died, inspiring a nationwide reaction that even 13 year old Alex Palmer recognised as being a bit fucking much**. All that was meaningless background noise though, as most importantly 1997 was the year that I became really switched on to new music. Before this point, most of the albums I’ve listed would have been discovered by me later and posthumously lusted after in the kind of nostalgic necrophilia that I would later grow to despise. Yeah, sorry if you’ve already imagined me as an incredibly cool seven year old bopping his head to Soon by My Bloody Valentine. From this point on, these important albums in my life and personal development were pretty much all discovered as contemporaries. Seriously though, ‘It’s Great When You’re Straight… Yeah’ was the first CD that I ever owned. Yeah. I’m that cool/weird.

“Dad, this is why you’re only allowed to see me one weekend every other month…”

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40 Chris Al3x: Sonicwave

Dec 19, 2018 ~ Lex Leeson ~ Leave a comment

Ho-ho! Remember a while back when I joked about fake Vaporwave subgenres? Yeah, I know, it was fucking hilarious, wasn’t it? Absolute, first class satire, sending up the entire Vaporwave industry so mercilessly that it no doubt sent shivers throughout Ilidža*. The genre will likely never be the same again.

(*yeah, I’ve decided that Ilidža, a small municipality near Sarajevo in Bosnia, is the cultural capital of Vaporwave. It probably isn’t, but I’ve not really got time to do much research. If you’re reading this, Chris Al3x, feel free to correct me. Ashton-under-Lyne hasn’t got much going for it, can we be the capital of Vaporwave?)

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