Legit Bosses – The 160 Best Songs of 2023

In their 1972 book ‘Psychology of the Arts‘, Hans and Shulamith Kreitler tried to explain the reasoning behind why certain people react in certain ways to certain pieces of art. However, they deemed that to fully explain it, your knowledge of each person would need to “extend over an immeasurably large range of variables, which would include not only perceptive, cognitive, emotional and other personality characteristics, but also biographical data, specific personal experiences, past encounters with art, and individual memories and associations”. Sounds like a lot of work, right? Well, luckily, I’m here to just tell you what the best music of 2023 was, so all that effort behind your own personal psychosis can be sidestepped altogether. Think of it as my new year’s present.

no spoilers on what number this particular classic finished

And there’s one hundred and sixty this year. Maybe one hundred and sixty one. Because there was a lot of great tunes released in 2023. While limiting the Necessary Evil list to just 40 albums still meant there was space for at least one ‘meh’ album and one absolute stinker, over the past week I’ve actually had to really edit this list down to prevent it being ridiculous. And yet here we are: 160. Maybe 161.

I’m also going to be giving shout outs to particular golden moments in certain songs – similar to what I did in 2018 – and for each of those I’m going to be using a picture of one of the greatest moments in the short history of All Elite Wrestling, because… well… I get the horrible feeling that company is cooked and I hope to look back on this list in five years time and laugh at how pessimistic I was.

Can I finish this before 2024 and maybe have some days off before I go back to work?? Let’s seeeeeeeeeeeeeeeeeeeeeeee!!

[Edit: No. No I cannot. Not even close.

You’ve got some playlists though, will that make you happy?? Here’s the countdown on Spotify and on YouTube, minus the unavailable songs on whatever platform]

I REMEMBER NOTHING, SO THERE’S NOTHING TO REGRET

“Until They Smash the Manmade Order of Things, Race Having No Meaning Won’t be a Possibility” – mynameisblueskye Interview

Boston’s mynameisblueskye can often seem a little… daunting.

And I don’t just mean his extensive and creatively rich discography. Since releasing his first music back in 2010, Skye has rafted dozens of albums, EPs, artistic projects and other ventures, dedicated to exploring the limits and potential of his own art. Even the partial catalogue available on his BandCamp page presents a vivid kaleidoscope of lucid cover art and arresting titles. Guy once released a record called Diary of a Pretty Corpse. Dude is metal as fuck. And all this is before you even listen to his music, which is often the sound of black holes collapsing in on themselves but expressed through the smallest rocks in the galaxy crashing together. You could probably describe mynameisblueskye as ‘lo-fi’, but this is often less a stylistic choice and more a necessity of his real world constraints. He manages to create magic using just a few keyboards and a laptop. But only because he has to. If you offered him a forty eight piece orchestra and the St Winifred’s School Choir, he’d sure as hell use them.

No, interviewing mynameisblueskye also felt a little daunting to me. I know very little about the guy personally, but from following his dedicated release schedule for maybe four years since being introduced to his world through a Z Tapes compilation, and from following his frequent incisive Tweets… I kinda got the impression.. that he’s a really smart guy

mynameisblueskye straddles the black, LGBT, autistic and creative arts communities, seems to have a deep understanding and respect for all of them and is able to consume and analyse the culture of all the communities he intersects. And he isn’t an artist worried his music might be ‘too political’. He’s always aware of big issues and always has the confidence to take them on. Even that song which I glibly described as having a ‘metal as fuck’ title is actually about the state murder of black people and how people often only care when they’re presented with a body: “Diary of a Pretty Corpse is about feeling like a black life that doesn’t really get his due in the world until he was dead, and when he does die by the hand of cruel people, they get the audacity to rule it as something dark as a suicide.”

See? How dumb am I going to look asking him about superheroes and professional wrestling? He even knows far more than me about music, any interview could be a bloodbath.

Still, the release of ‘One Last Look’ – a collection of rarities and songs recorded for various compilations over the past five years – gave me an opportunity to reach out, a chance to get a quick idea of how the world looks through mynameisblueske’s eyes. The interview went to some truly fascinating areas, and Skye really stepped up to nail and then elaborate on each question. He was a fantastic interviewee, and after reading this you owe it to yourself to investigate one of our most singular artists further. And have you seen that back catalogue? Best get started…

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