My Life in Albums (part 2 97-06)

You want an intro? You got that in part one! Let’s get down to the dirty, sticky and dangerously unhygienic business:

1997

This was an important year for me, this was when shit got real. Yeah, Labour won the election, which I was aware I was supposed to celebrate but not yet conscious enough to know exactly why, just that ‘our team won*. Princess Diana died, inspiring a nationwide reaction that even 13 year old Alex Palmer recognised as being a bit fucking much**. All that was meaningless background noise though, as most importantly 1997 was the year that I became really switched on to new music. Before this point, most of the albums I’ve listed would have been discovered by me later and posthumously lusted after in the kind of nostalgic necrophilia that I would later grow to despise. Yeah, sorry if you’ve already imagined me as an incredibly cool seven year old bopping his head to Soon by My Bloody Valentine. From this point on, these important albums in my life and personal development were pretty much all discovered as contemporaries. Seriously though, ‘It’s Great When You’re Straight… Yeah’ was the first CD that I ever owned. Yeah. I’m that cool/weird.

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“Dad, this is why you’re only allowed to see me one weekend every other month…”

Continue reading “My Life in Albums (part 2 97-06)”

8 Danny Brown: Atrocity Exhibition

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…and within the first minute of this masterpiece record you’re introduced pretty comprehensively to Mr Brown’s modus operandi: he’s crude, he’s explicit, he’s in pain resulting from his own excess, he’s a little bit funny, he’s a horrifying train wreck, he’s absolutely captivating

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‘Modus operandi’ is a Latin word literally meaning ‘the mode of the octopus’, as the ancient Romans believed the fact that the creature was able to manage with eight legs meant it must be an uncommonly focused animal

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Not done one of those for a while, have I?

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Continue reading “8 Danny Brown: Atrocity Exhibition”