Tag: hulk hogan

#5 Prince: Around the World in a Day

~ Lex Leeson ~ 4 Comments

January 28th 1985 was a shade over seven months since Prince had released one of the greatest selling albums of the year – which would eventually grow to a 25 millioner amongst the best selling albums of all time – ‘Purple Rain‘ – and He had ten nominations at that night’s American Music Awards that He was attending. There was a special buzz around that night’s particular AMAs, part of which revolved around Prince going up against His eternal rival Michael Jackson in several categories. This was a non event though, as Prince won awards for Favorite Pop/Rock Album, Favorite Soul/R&B Album and Favorite Soul/R&B Song for When Doves Cry, while Jackson (moon)walked away with nothing. Anyway, in a series of decisions that history was sure to look kindly on, neither Prince nor Jackson could compete with Lionel Richie, who walked away with six awards including Favorite Soul/R&B Male Artist and Favorite Soul/R&B Male Artist. Prince’s performance of Purple Rain that night – which Billboard would later name as the greatest performance in the awards’ history – would ensure those decisions would look immediately ridiculous.

But the 1985 AMAs were most notable for the fact that, right after the ceremony that night, this absolute royalty of popular recording artists would – rather than spend the night covered in so much gak that their face resembled Elizabeth I and being serviced by heavily narcoticised groupies whom IDs was encouraged not to be checked by the entourage, as would usually be the case for successful music artists in the 80’s – they would all be whisked off to the Hollywood AGM studios to record We Are the World, a song written by Michael Jackson and Lionel Richie and produced by Quincy Jones to benefit ‘USA for Africa‘ (America’s version of Band Aid). It would become the fastest selling single in US history and serve as the climactic singalong at that July’s Live Aid Philadelphia concert.

Prince, though, wasn’t really feeling it.

Ahmed Alaa Abd Al-Majeed Issa

#35 And So I Watch You From Afar: Megafauna

~ Lex Leeson ~ 2 Comments

First, before I talk about the latest euphoric audio assault by Belfast’s finest noise merchant, I’d like to take a moment out of 2024’s Necessary Evil to just pay our respects to the beautiful, talented and influential megafauna that we’ve lost these past two million years or so.

These good megafaunas have had a tough time recently, with 80% of all mammals that weigh greater than a thousand kilograms dying off in the last fifty thousand years. Pour one out for our fatty bombatty brothers. Yeah, we still mostly have our elephants and our rhinos and our elephant seals. And our motherfucking bisons, boy!! Have you seen a bison?? I don’t think we’re ready to accept how huge those big boys are! I’m not counting the big fishes, like the blue whale, because they’re always hiding down there, I’ve never seen one in a zoo, and fish are boring. But I think we have to accept that we have sadly lost the best and brightest megafauna. We’ve lost all the dinosaurs, for fuck’s sake!? That’s nuts! And, if we’re being honest, we lost a lot of Earth’s stability when the dinosaurs went: ain’t no genocide in Gaza if Deir al Balah is partially populated by motherfucking titanosaurs!! Oh, what’s that, America? You want to aggressively and violently suppress the world until it accepts your neoliberal world order? Well, try telling that to the giganotosaurus, yeah? The ichthyosaur will fucking eat all your submarines, son! However, like I said before, fish are boring.

Anyway, heads bowed, please:

Hadi Hayel Shehdeh Abu Dahruj

5 ANOHNI and the Johnsons: My Back Was A Bridge For You To Cross

~ Lex Leeson ~ 1 Comment

“For me, there’s no heavenly respite; creation is a spectral and feminine continuum, and our souls are an inalienable part of nature.”

Anohni Hegarty

There are those who argue that the sex/gender divide is just a socio-political
construct. Certainly this is not true for those individuals with gender dysphoria where
there is a mismatch between their biological sex and gender identity. It is also the case
that class society has nurtured an ideology of femininity and masculinity which fits the
profit motive rather than peoples’ lived experience. But all of this this does not
invalidate the fact that the vast majority of humans (unhelpfully labelled ‘cis’) do not
experience a mis-match between their biological sex and their gender. This does not
mean that all is well for women who are, by virtue of both sex and gender, historically
and currently oppressed in patriarchal class societies.

SO YOU MIGHT AS WELL STICK IT IN

6 Noname: Sundial

~ Lex Leeson ~ 2 Comments

The child who is not embraced by the village will burn it down to feel its warmth

proverb of unknown origins, likely African

We could scapegoat everything
We could penny-pinch the homie for defendin’ the dream
A simpler thing, by any mean
Niggas will kill they team
Say the gun did it, run with it
White man or frontman, a whole vision

We just see self in his image
Won’t be a self-critic, burn up our whole village
That wasn’t us, that was colonialism
We keep our babies fed, we don’t beat and rape on our women, we good
We is Wakanda, we Queen Rwanda
First black president and he the one who bombed us, yeah

hold me down
AND I’M ALREADY ACTIN’ LIKE A DICK, KNOW WHAT I MEAN?

26 JPEGMAFIA x Danny Brown: SCARING THE HOES

~ Lex Leeson ~ 3 Comments

Yeah, that’s right, ALL CAPS. Because it’s been RAISED RIGHT. Can we please have a collaboration with awakebutstillinbed? Actually, I know I meant to clean up the capitalisation of ‘chaos take the wheel and i am the passenger‘, but can we just have that?? Honestly, use whatever grammar you want, call is ‘@wa[£b()$tIlInPEG’ for all I care. Can Peggy just produce?? JPEGMAFIA producing an emo album?? Nomnomnomnomnom! Give it to me now!!

Oh and apparently there was a different cover of this record?

Nah, Bandcamp one better lol

I DON’T TRUST ANY OF THESE BITCHES I’M WITH

AEW All In 2023: Proper PPV Review (Part 2: The ACTUAL Flipping Review)

~ Lex Leeson ~ 2 Comments

Did you get that? ‘Flipping’, yeah? As in, the PG-friendly expression of mild annoyance you use when your whole body wants to say ‘fucking’ but you remember at the last minute that this is the only hour this month that the court says you’re allowed to talk to your three toddler aged children. But also, like, the review of the flipping flippy dippy wrestlers flipping themselves around? Yeah? Fucking genius. You bunch of cunts. No, please don’t take my kids away again, I promise I’ll behave!

“Oooh, look at that cheeky smile! What have you done??”

Right no more bloviating this time. Quick recap of part 1:

[EDIT: I started writing this on Saturday the 2nd September. That night, or perhaps early Sunday morning, a new part to this story was added which is now going to require some furious editing:

Wish me luck]

Right, we’re all on the same page now.

just saved you reading about 4000 words. you’re welcome

#10 The Hotelier: It Never Goes Out

~ Lex Leeson ~ 3 Comments

We leave our higher educations that we all ‘must’ get
With a signature stamped paper and a mound of debt
The bank has got us by the throat and then we’re forced to settle
For the jobs we hate, 9 to 5, 40 hour, 40 years ’til the day
We are too weak to work, too frail to play
No friends or lovers because they all passed away
We’ve waited for this day all our lives long
And on our death bed the stereo plays our favorite teenage anthem song
And we sing along

Our Lives Would Make a Sad, Boring Movie

We into the top ten, God dammit! With, another album was wasn’t actually released this year: The Hotelier’s 2011 debut album that I just needed to complete my set.

I KEEP CHOKING ON MY FEARS

#37 Stella Donnelly: Flood

~ Lex Leeson ~ 3 Comments

I always… liked… Stella Donnelly. I literally first got into her because I liked the cover of her debut EP ‘Thrush Metal’ (and, yeah, the title, because – hurhurhurhurhur – geddit?), and it contained one of the most gorgeous and powerful indie ballads of recent times. That same song was included on her 2018 debut album, which was… good… Really good, in fact. Not amazing, but really good. I thought the cover of ‘Beware of the Dogs’ was an allusion to the wonderfully freaky 1924 novel ‘The Story of the Eye‘. I asked her about it on Twitter. She never got back to me. So fuck her, right?

‘Flood’ though, is on some real good shit. Firstly, it sees a talented young songwriter strive to make changes for their second album and not just introducing synthesizers! That alone is a notable achievement. Musically, Stella (Stellaaaaaaaa!) decided to centre songwriting around her piano playing rather than her acoustic guitar, and encouraged her bandmembers to similarly try instruments that they didn’t feel as comfortable with. This gives the album a much looser and less fastidiously tight sound to its predecessor, it sounds alive and almost improvised in places. The biggest change and improvement, however, comes with the lyrics. You know why? Yeah, that’s right, the spectre of Communism again, that’s why!

CHRIST, HERE HE GOES AGAIN

Legit Bosses pt.3: The 40 Best Songs of 2020

~ Lex Leeson ~ 3 Comments

Hey! Top forty ! This is a nice, normal, manageable list isn’t it? Should I maybe have just limited 2020’s best songs to this workable and succinct top 40 list? What, and not mention Wock in Stock or I Don’t Know, Burn Stuff? I’m not sure I’d ever be able to forgive myself.

That’s all the introduction you’re getting, parts one and two were more than enough foreplay, there are some absolute modern classics in this final countdown, and if you’re as half as surprised as me at what comes out on top…

Maybe, I mean, I still might change it…

#40 Fiona Apple: Under the Table

A very ‘Fiona Apple’ Fiona Apple song, but that is obviously entirely a Good Thing. Lyrically, it’s untouchable, with Ms Apple taking issue with dinner party conversation and refusing to be silenced (“Kick me under the table all you want/I won’t shut up…I would beg to disagree/But begging disagrees with me”). Amongst the barbed and often hilarious response to tension, she also manages to squeeze in some absolutely amazing lyrical asides:

I’d like to buy you a pair of pillow-soled hiking boots

To help you with your climb

Or rather, to help the bodies that you step over, along your route

So they won’t hurt like mine

I’m going to be really noncommittal and say that Under the Table is definitely one of the best lyrics of the year. Don’t make me choose. No, seriously, don’t make me choose, you know I’d just give it to a 1993 Manics’ lyric and ruin the legitimacy of the whole operation.#

Continue reading “Legit Bosses pt.3: The 40 Best Songs of 2020” →

Legit Bosses: The 125 Best Songs of 2020 (pt.2 #80-#41)

~ Lex Leeson ~ 4 Comments

You want an intro? We you ain’t getting an intro! Unless, of course, you consier this little bit of writing where I explain there isn’t an into to actually be the intro, in which case… Jesus, I can’t help you, friend, just move along… We’ve already had entries #126-#81, now let’s chomp down on part two of the list.

‘Chomp down’? The fuck am I talking about? Not a good start, Alex. Not. A good. Start.

#80 Banoffee: Tennis Fan (feat/ Empress Of)

Invited you to the cinema

You said you didn’t wanna go

But I saw it on your story

As you watched Mission Impossible

Ouuuuuuuuuuuuuuuuuuch. It’s one thing to be palmed off with a lie, but to lose out to Tom Cruise using his mysterious Theten powers to somehow convince the watching public to give ‘Dianetics’ another chance by hanging out of aeroplanes and later cackling to Loraine Kelly about how he does all his own stunts, I really think you have to assume this is a problem with you, Banoffee.

Which Mission Impossible was it though?? You know there’s, like, a hundred of them now, right? Was it the best one (Mision Impossible 1-100) or even the worse one (Mission Impossible 1-100)? Don’t pretend you have any idea.

Continue reading “Legit Bosses: The 125 Best Songs of 2020 (pt.2 #80-#41)” →