5 Blanck Mass: Animated Violence Mild

Yes. Yes yes yes. Yes, sir. Yes indeed. Yes. Yeeeeeeeeeeeeeess.

img_0850

Some albums are just perfect. They contain perfectly what it is you want, perfectly what it is that you need and, perhaps most importantly, comes at simply the perfect time. Blanck Mass’s third album was 2019’s perfect storm. I was worried about NE2018‘s  lack of electronic/dance music representation (I will never, never call it ‘EDM’). I used to consider myself a big fan of electronica and dance music, in the late 1990s I worshiped The Prodigy* and The Chemical Brothers and Orbital and Orb and Leftfield and Massive Attack and Bentley Rhythm Ace and Lo Fidelity Allstars and more bands that I’m forgetting about. DJ Shadow! Fuck, what about Goldie?! And Roni Size! Man, there are whole motherfuckin’ subgenres that I’m forgetting! TLDR: me and dance music, sitting in a tree, B-A-N-G-I-N-G.

Continue reading “5 Blanck Mass: Animated Violence Mild”

Entry #5 Future: Mask Off

Phew, that last entry was a bit of a mess, wasn’t it? Barely mentioned the (excellent) song and just flew off into TMI land. It won’t be the last time that happens, I’ll often have something to get off my chest that I feel can’t wait until December, but I always feel that there has to be some overarching ‘point’ to each entry and this series is literally the only outlet I have for that. At least until I get around to starting ‘Sing of the Thrill’ [TITLE TO BE CONFIRMED], my long promised/threatened King of the Hill episode by episode retrospective that’s currently the second most eagerly anticipated literary operation behind George RRRRRR Martin’s ‘No, No, No, This is What Was Supposed to Happen!’. To make up for Entry #4, this time around I’m actually just going to talk about one of the greatest songs ever for a thousand words or so, all tangents and flights of fancy will be kept to an absolute minimum, and if anything I’ll be undersharing, yeah? We cool? We cool.

This post contains a lot of information cribbed from Simon Reynolds’s fantastic Pitchfork article from last year. I might call him a ‘contributor’, but the fact is that he’s very likely to sue me for royalties once the money starts rolling in.

Continue reading “Entry #5 Future: Mask Off”