21 Lykke Li: Wounded Rhymes

Don’t pull your pants, before I go down
Don’t turn away, this is my time
Don’t make demands, I don’t take none
Just say a prayer that it gon’ get done
Don’t pull your pants before I go down
Don’t turn away, this is my time
Like a shotgun needs an outcome
I’m your prostitute, you gon’ get some
Like a shotgun needs an outcome
I’m your prostitute, you gon’ get some

Get Some

Hooooooooooooooooooooo mama! That’s some spicy meatballs! Is it hot in here? I know it’s not my central heating, as I haven’t been able to afford that for around two years now.

I still remember my reaction on first hearing the introductory single from Lykke Li’s second album. I had fallen in love with their debut record (#3 in 2008) and had a extremely memorable personal experience/sexual awakening while seeing her live that year. “Sexual awakening”? I dunno, but I vividly remember watching her interpret her agonisingly beautiful and perversely anthemic music through hip movements and overwhelming stage presence and thinking to myself “I would die for this person”. That thought came from deep in my soul. And also my penis. Not entirely my penis, you understand, I’m not a monster. But my penis was still on the board of directors of my soul. It was at least allowed to have a say.

TO THE BENTLEY TO THE HOTEL TO MY OWN WAYS

22 metagirl: (22) I FEEL YOU EVERYWHERE

[23.12.12 EDIT: Fuck! I’ve only just clocked that the album title starts with ‘(22)’ and it’s actually landed at #22! Come on, that’s proof of God’s existence, no?]

I recently discovered I want to be goth which is gonna make my next album really fun. Hopefully won’t take 2 years this time

Elora in 2020

Well, it technically didn’t take two years. And it ain’t fucking goth. It’s a borderline work of genius though.

Usually, when a small, none-more-independent bedroom artists like Elora Faith releases a record that beautifully exhibits their deft songcraft and seemingly supernatural way around a melody, my chief response is to usually lament what world-humping genius they’d be capable of if they had access to the resources. Would this artist be able to produce a record as universally beloved as ‘Desire, I Want to Turn Into You‘ if only the production budget extended to bagpipes? Would the raw, stripped back Strokes trumping GIVE AND TAKE AND WITCHCRAFT really get to the next level if Elora could afford to hire someone to blow a referees’ whistle just before the musical break like Paradise City? What if the budget stretched far enough for Taylor Swift to rap over ANTIBODIES about “Getting down to this sick beat“? Would that make the song better?

NOW IT’S BACK TO THE INTRO, BACK TO THE BAR