38 Equip: Synthetic Core 88

I think we can say that we are now living in the post-truth era. If we’re not, we should still say it. That would make the statement untrue, which would actually prove that we are living in the post-truth era, Which would make the statement true. Though, since we’re living in the post-truth era, the usefulness of saying that we’re living in the ‘post-truth era’ is debatable, as the truth is no longer what we deal in. However, if I say WE’RE LIVING IN THE POST TRUTH ERA really loudly and marry it with whatever’s trending on Twitter right now (Josh Gordon, whoever he is) then perhaps you’ll decide this post is worthy of note.

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Eugh, he’s an American football player?? I thought he was a real person

But when did we enter the era of post-truth? When were we pre-truth, when were we resolutely amid truth, and at what point did truth become a rapidly shrinking figure in our rear view mirror. Some say that the era started with that last paragraph I wrote. This is definitely a minority view however, as at time of writing I am the only person who’s seen that paragraph, and I certainly don’t believe that. Me stating that, however, is another good example of the post-truth age. What do you think of when you think of post-truth? Donald Trump and Brexit? Was 2016 the end of our often fractious relationship with reality?

Continue reading “38 Equip: Synthetic Core 88”

31 Carly Rae Jaap Stam: E•MO•TION Side B

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In 1974 Al Pacino gave one of the all time best cinema performances in ‘Godfather Part II’, exhibiting a subtly and nuance that would later desert him, and managing to captivate the audience to such an extent few even noticed the film lasted 200 freaking minutes. the Oscar for best actor was never in doubt

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Unfortunately, The Academy- a retirement home for aged white former cinematic plantation owners who compensate for their loss of bowel control by annually celebrating their favourite shit- was having one of those years where they decide to become completely (instead of generally) impervious to actual quality in the face of unbearable tweeness and overwhelming schmaltz, and awarded the best actor Oscar to Art Carney for ‘Harry and Tonto’, a film about an old man and a fucking cat

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The Academy soon realised they’d made a mistake though, it soon became apparent that they’d ignored an historic and legendary performance in favour of a disposable piece of nonsense that everybody had already forgotten about. They owed Al Pacino an Oscar

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Continue reading “31 Carly Rae Jaap Stam: E•MO•TION Side B”