Tag: Danny Brown: uknowhatimsayin¿

32 yeule: Evangelic Girl is a Gun

~ Lex Leeson ~ Leave a comment

OK, let me get this out of the way first: ‘Evangelic Girl is a Gun’ (scream at the sun, cry when you come) is an absolutely fantastic album. Look, up there, ☝️, it’s the 32nd best album of the year. The whole year! Do you appreciate how impressive that is?? Do you know how many records were released in 2025?? More than a hundred!! To finish number 32?? Wow, great work, yeule, what a great album you done produced!

I’m just making all this very clear, as I’m going to spend a large part of this post slagging the record off a bit. Have you ever heard of a concept called ‘context’? Am I going to have to explain that to you as well? Yes?? Listen, I don’t really have time… Here’s a video on A Level Context Analysis, maybe that will help? I’ll wait for you to finish.

This is MY match!

33 Danny Brown: Stardust

~ Lex Leeson ~ 1 Comment

There are few artists as unduly unappreciated, with a back catalogue that’s so ridiculously unappreciated for its consistent experimentation, than Mr Daniel Dewan Sewell. Better known as… yeah, OK, you probably got that…

“Dad, you said we’d go to Alton Towers this weekend…”

His career has been pretty spectacular, even simply going off his entries onto Necessary Evil. 2011’s ‘XXX’ was an intensely arresting bloc party that wittily both celebrated immense substance abuse while nudging the person beside it and joking with a wink “Lol, we’ll be regretting this in the morning! And for the rest of our lives! YOLO!!” It was 2011, ‘YOLO’ was still a thing, don’t blame Danny Brown for that. His hair happened to be on fleek at the time. Don’t hate the player, hate the game. 2016’s ‘Atrocity Exhibition‘, though, delved deeper into the morning afters and came up gasping for air with one of the greatest albums in Necessary Evil’s history (that was unlucky enough to be released in the greatest year in Necessary Evil’s history so didn’t even make the top 5). An absolutely jaw-dropping achievement, incredibly evocative yet bumping music set to perhaps the funniest yet darkly poignant lyrics exposing the slow suicide of substance abuse since peak Shaun Ryder…

I’ma just do what I have to do