4 SZA: SOS

This ain’t no warning shot, in case all of you hoes forgot, they know we’ve been more than lost. Us punk-asses tried to replace them but the stakes were too high, we weren’t able to live off some SZA mini-me. In December 8th 2022 they dumped this album like a press squeeze, they were horny like “Suck these”, daring like “Touch me”. They just want what’s theirs, after spending more than five years watching countless people try and fail to replicate the magic of their debut album.

And it’s hard to be a SZA mini-me. Their incredible 2017 debut album felt like a true moment in the history of recorded music. It’s one of the handful of 21st century records – as our tastes become more and more individualised and the latest stage of capitalism involves eliminating community and creating more dividing lines along identity – that is near unanimously considered an all-time classic. It spent more than 300 weeks on the Billboard top 200, selling millions of copies. You gotta rip that off, right??

OUT OF REACH, OUT OF TOUCH, TOO NUMB, I DON’T FEEL NO WAY

Necessary Evil 2020 pt.6 (50-46)

#50 Banoffee: Look At Us Now Dad

Banoffee’s debut album should act as an important reference point for Halsey. The subjects she covers here- from painful reconciliations to painful intergenerational trauma to, Jesus, why didn’t I just leave it as a one night stand with that prick??- are at least as weighty as those covered on Ms Frangipane’s latest. Banoffee simply covers them often more explicitly, with far more humour and raw openness. And, more importantly, does so with no shame about this being a pop album and with the mature knowledge that really shouldn’t take away from its artistic legitimacy. She’s not openly complaining about Band of Horses not being considered pop despite starting with the same three letters, she’s not arguing that her album being considered ‘pop’ and the Javier Muñoz Spanish language production The Occupant being considered a ‘movie’ is just more evidence of the suffocating patriarchy, she’s not pointing to the barbed wire around her wrist on the album cover as poof of how freaking metal she is. She has no qualms about being a pop artist and is confident in the utter magnificence she can still produce, how being a ‘pop’ artist doesn’t act as a barrier to producing such weird, challenging and effective music such as this.

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Entry #1 Prince: Raspberry Beret

Only Feasible Starter

There is an extremely high chance that I’m going to die relatively soon. Like, probably tomorrow.

Prince-Raspberry-Beret-1260x709

OK, not probably tomorrow. Possibly tomorrow. OK, maybe not even ‘possibly’. Maybe tomorrow.

Alright, the chances of me dying tomorrow, or even in the upcoming days, are admittedly quite remote. But I could die any minute.

I mean, admittedly, we could all die at any minute of any day, such is the deliciously cruel randomness of life, but let’s face it- I’m far more likely to die a long time before you. I am a medical wreck; I take very few measures to protect my life; I have a dangerous curiosity when it comes to both legal and illegal substances and yet so blissfully unaware of my surroundings that the likelihood of me being hit by a bus or eaten by an escaped hyena* (that everyone else noticed was coming from miles away) are extremely high. This is all despite the fact that you so deserve to die before me! Come on, admit it- you’re a fucking waste of your disgustingly over extended skin!

(*Yeah, I know hyenas only generally feast on dead carcasses, but have you seen me lately? I’m sure they’ll take one look at my decrepit body and decide “Close enough”. Cheeky sods)

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