Tag: charli xcx

19 FKA Twigs: EUSEXUA Afterglow

~ Lex Leeson ~ 1 Comment

OK, so how am I going to approach this? You know I really hate spoiling my own list, so I’d hate to perhaps let it slip during this post that maybe there’s another FKA Twigs album later on this year’s countdown. Maybe! Nothing in this introductory paragraph should be read as any sort of confirmation!! But you also know what a genuine and straight talking man of the people I am, and it simply wouldn’t be in my nature to lie to my wonderful readers that I love so much, and say that a certain album isn’t going to be featured… Or lie and say that it will feature!! Nothing in this introductory paragraph should be read as any sort of confirmation!!! People are calling me the most trusted voice in music. Everyone’s saying it. Sports Illustrated are saying it. I can’t abuse that trust.

I guess, all things considered, I’m probably better off just not mentioning that other album at all. That hypothetical other album I mean!! Nothing in this second paragraph should be read as any sort of confirmation of the existence of any other album!!!! That probably makes the most sense. I mean, it’s not going to be easy, considering that that hypothetical album is named in the title of this one, but hey, let’s give it a go, aye?

Continue reading “19 FKA Twigs: EUSEXUA Afterglow” →

36 Tame Impala: Deadbeat

~ Lex Leeson ~ 1 Comment

Dude, mate, bro: did you know that Tame Impala was just one guy? And he’s Australian? Mind: blown, right? Wait until I tell you who’s the brother of Big Mo from Eastenders.

Mate (maaaaaaaaaaaaaaaaaaaaaaaaaaate!), is that your daughter on the cover?? No. Don’t like it. That feels creepy and wrong, and brings in all sorts of questions of ethical consent. But now that’s dealt with, I’m not sure I can think of any other reason to dislike this album. It’s perhaps no way near as expansive, trend-shitting or potentially influential as his (it’s just one guy!) previous work, but it’s still an incredibly strong collection of brilliant electro pop with melodies to absolutely die for.

Do you want my love? Is it obsolete?

Staturday Night Fever: The Best Music of 2024 In Numbers

~ Lex Leeson ~ Leave a comment

Have I done that pun yet? Mate, I am struggling, honestly…

So here we are again, a round up of the hot stats of the best albums and songs of 2024, which I have bizarrely fallen into the habit of doing doing eleven fucking months after the Necessary Evil list of the best albums and songs of the year is actually published. Why do I always leave it this long? Because, quite simply, after writing 40+ blog posts and a gargantuan song list in little over a month, my brain seriously doesn’t want to even acknowledge the previous year’s music again for at least a thousand years.

I almost didn’t do it this year. But – but! – then I realised that 2025’s list might have some extremely notable points! So maybe I’ll retire this dumb fucking tradition once I get round to that in winter 2026. Until then? Yeah, we gotta do this.

I do like making these purdy pictures though…

Stats in the cradle and a silver spoon

2025’s New Gold Star Artists (and a couple of RIPs)

~ Lex Leeson ~ Leave a comment

Sigh, I guess I should explain the rules again? To be honest, if this is one of your first times reading The Most Trusted Voice in Music then you really should start with the first post from December 1st 2014 and then read through the next 791 entries (or “chapters”, as I like to think of them) until you’re ready to read this post. Necessary Evil might be oversimply referred to as a ‘Blog’, but it’s actually more of an epic tale – a poem, really – that only sampling parts of risks lessoning its artistic impact. What’s happened to this generation’s attention spans?

OK, the criteria for qualifying for the Necessary Hall of Fame as a Gold Star Artist:

  • At least three albums
  • All albums featured on the Necessary Evil best of year countdown since 2007

There were three new Legit Bosses crowned on the the 2024 list, and here’s my ranking of their three albums so far, which will soon be added to the ongoing Hall of Fame.

And, excitingly, for the first time this year we have two artists that have brought great shame on their careers, their legacies, and their entire families by dropping out of the Gold Star Artist Hall of Fame. Both (predictably) Soccer Mommy and (perhaps surprisingly) Illuminati Hotties released records in 2024 that weren’t considered good enough for the end of year lists, so they are forever banished to the dreaded Ex-Gold Star Graveyard. There, they are both feted to rot for eternity. A ridiculously harsh ‘punishment’ for the supposed crime of releasing a record that I didn’t think was quite as good as their previous three+? Especially tough considering Soccer Mommy’s previous three albums were all released before the list shortened to 40 albums and all finished outside the top 40, so could arguably be being punished for remaining as good as they ever were?

Yes.

Sorry, SJW cuck snowflakes, take your woke ideas of fairness and ‘not treating people like shit’ back to Libtardia. This is Necessary Evil. We hit harder here.

KAPOW! CRRAACK! ZGRUPPP!

Legit Bosses: The 143 Best Songs of 2024

~ Lex Leeson ~ 5 Comments

Hey, look, I’m getting better at this. Recently, I went on a massive cull of the 2024’s greatest songs to make this list as tight and as concise as possible, so that it would be sure to represent the absolute best of the best and would be as brief and easy to write as possible. And look! There are only one hundred and forty three tracks this year!! That’s a whole seventeen less tracks than last year! This post is going to be a breeze!

spoiler: this song is going top five. It INVENTED GAY POP, show some respect

OK, three weeks laternow, and I’m almost done! This post will be longer than most books you read, but to be fair most of the ‘books’ you read are Dr Who fanfic.

So, yeah, these songs are really good. And they get better as the list goes on. That’s how these lists work.

Here’s the YouTube playlist, which I know is the only thing most of you care about.

How much of an intro do you need, seriously?

A/79/232

Necessary Evil 24: The Biggest List Under the Sun

~ Lex Leeson ~ Leave a comment

Bumpin’ that bumpin’ that bumpin’ that…

Yeah, we’re back, so fuck me I guess?

The 16th year end Necessary Evil list of the year’s objectively and scientifically proven greatest music is a notable event for a few reasons. Firstly, it will be the first time I’ll be writing a list of year’s best bops and slaps that played out to a full twelve months of genocide. Like, the whole year. When I wrote last year’s list, it was only to the backdrop of a tiny bit of genocide that covered the last couple of months of the year. And who really pays attention in those winter months? Too busy thinking about Christmas, right? A couple of years back, for example, my housemate Darren engaged in the systematic and targeted slaughter of more than two dozen woman and children in those early December weeks, and I just didn’t notice because I spent the whole time trying to untangle the Christmas lights. Don’t worry, it happens, I get it.

Hajar Khalil Salah al-Bahtini

Legit Bosses – The 154 Best Songs of 2022

~ Lex Leeson ~ 8 Comments

Aaaaaaaaaaaaaw sheeeeeeeeeeeeeeet!

Boom

There were only 121 of these bastards last year!! Extraordinarily poor planning on my part. There’s a lot of work to do, so I am not going to spend a lot of time on this intro. I will just say though… This list was named after a Sasha Banks catchphrase in WWE, and now she’s left that company… can I just have it?? Is it 100% mine now??

Anyway: Ladies, gentlemen, and everyone else: 2022’s 154 best songs.

(Spotify playlist)

(YouTube playlist)

YOU KNOW IT’S ALL ABOUT THAT…

#14 Marina and the Diamonds: Electra Heart (Platinum Blonde)

~ Lex Leeson ~ 6 Comments

Holy shit! Happy birthday ‘Electra Heart’!

Starburst? Yeah, fuck that kid

NE2022 enters into a strange ‘rerelease zone’ for these next three entries. I can’t remember if I did this intentionally. It’s difficult to consider ‘classic’ albums alongside newer material. You need to balance out any nostalgia and the unfair ten year start that some records have had to burrow into your subconscious. Yet you don’t want to go too far the other way, and fail to remember the original spark and energy that was originally locked within a song you’ve heard fifteen thousand fucking times already. You can’t give too much weight to cultural importance… but you certainly can’t just blindly ignore it. It’s an extremely complicated equation that I honestly don’t believe anyone reading this will be intelligent enough to fully grasp. Or, I just realised there were a lot of amazing rereleases this year and didn’t want them all clogging up the top ten, so parked them all just outside. Two releases still escaped and made the top ten. There are five records in the top 15 that weren’t released in 2022. Shut up. Ah do warra want!

YOU DON’T LOVE ME? BIG FUCKING DEAL