Tag: beach boys: Pet Sounds’

12 Kendrick Lamar: GNX

~ Lex Leeson ~ Leave a comment

I did it with integrity and niggas still try hate on me, just wait and see
More blood be spillin’, it’s just paint to me
Dangerously, nothin’ changed with me, still got pain in me
Flip a coin, want the shameless me or the famous me?
How annoying, does it angers me to know the lames can speak
On the origins of the game I breathe? That’s insane to me
It’s important, I deserve it all because it’s mine
Tell me why you think you deserve the greatest of all time, motherfucker

man at the garden

Yeah, could not be arsed with this album last year. It was released on November 22nd, which was already pushing it very tight for the December 1st deadline for inclusion on Necessary Evil 2024. The circumstances and context really made it feel like it was a bit of a rush release to capitalise on all the publicity surrounding the feud with Drake that we’ll likely be telling our grandchildren about.

yeah, I guess we’ll go back to speaking olde time language in the future. And writing in script. I dunno, man, that meme’s all over the place

I also heard how ‘GNX’ was, rather than an expansive and hugely intellectualised dissection of the black male psyche and how that very identity is being exploited by capitalism to be sold back to those very same people – the type of Kendricking that meant ‘Mr Morale & the Big Steppers‘ was very much on-brand – it was a more back to basic, West Coast infused straight hip-hop album, I decided it probably wasn’t really worth the intense study it would require to see if it would make that year’s list. I’ll probably give it couple of spins after Christmas, I thought.

And I did. And holy shit this album’s incredible.

it take some tough skin just to deal with you

2025’s New Gold Star Artists (and a couple of RIPs)

~ Lex Leeson ~ Leave a comment

Sigh, I guess I should explain the rules again? To be honest, if this is one of your first times reading The Most Trusted Voice in Music then you really should start with the first post from December 1st 2014 and then read through the next 791 entries (or “chapters”, as I like to think of them) until you’re ready to read this post. Necessary Evil might be oversimply referred to as a ‘Blog’, but it’s actually more of an epic tale – a poem, really – that only sampling parts of risks lessoning its artistic impact. What’s happened to this generation’s attention spans?

OK, the criteria for qualifying for the Necessary Hall of Fame as a Gold Star Artist:

  • At least three albums
  • All albums featured on the Necessary Evil best of year countdown since 2007

There were three new Legit Bosses crowned on the the 2024 list, and here’s my ranking of their three albums so far, which will soon be added to the ongoing Hall of Fame.

And, excitingly, for the first time this year we have two artists that have brought great shame on their careers, their legacies, and their entire families by dropping out of the Gold Star Artist Hall of Fame. Both (predictably) Soccer Mommy and (perhaps surprisingly) Illuminati Hotties released records in 2024 that weren’t considered good enough for the end of year lists, so they are forever banished to the dreaded Ex-Gold Star Graveyard. There, they are both feted to rot for eternity. A ridiculously harsh ‘punishment’ for the supposed crime of releasing a record that I didn’t think was quite as good as their previous three+? Especially tough considering Soccer Mommy’s previous three albums were all released before the list shortened to 40 albums and all finished outside the top 40, so could arguably be being punished for remaining as good as they ever were?

Yes.

Sorry, SJW cuck snowflakes, take your woke ideas of fairness and ‘not treating people like shit’ back to Libtardia. This is Necessary Evil. We hit harder here.

KAPOW! CRRAACK! ZGRUPPP!