Stat is to Be Done? Necessary Evil 2025 in Numbers

Yes, a lot earlier than I’ve usually pulled my fingers and thumbs out to do these statistical breakdowns of the previous year’s Necessary Evil list of the year’s best albums. I’d fallen into the bad habit of putting it off for so long, that it now usually acts as a semi-introduction to the nexr year’s list, which is pretty fucking pointless.

And this year I have come to the realisation that, ultimately, this whole yearly tradition is pretty dang pointless. Self-referential, divisive, needlessly segregationary, and of absolutely no interest to literally anyone in the world other than myself. It gives me a chance to make fun little pictures, but that’s it.

Which is why, what is to be done, is that this will be the final time ever that I list the stats of the previous year’s list. Especially since I started the (far more important, obviously) Gold Star Artists Hall of Fame (which will get its 2025 update soon), this twee and meaningless drag on my time simply can’t justify itself. After this year’s stats, I’m going to storm the Necessary Evil Winter Palaces and change the whole system for the better.

You might remember that I threatened this on last year’s stat breakdown but decided to give it one more run around because of one important factor: I honestly think that 2025 might see the UK beat the USA for the first time, which would be a great and extremely honourable way to bow out.

Also, I’m really running out of puns for ‘Stats’. And this is two years after I did a Fatman Scoop reference. Times are tough.

You got a ten dollar bill, get your hands up!

#1 Anna von Hausswolff: ICONOCLASTS (Best Album of 2025)

A lot of these songs are about love, in various ways, but I wanted the album to feel like a battle cry. It felt urgent to me to express a sense of wanting things to change and actually taking steps towards that change. 

Anna von Hausswolff to The Line of Best Fit 2025/10/27

The foolish hope of great eternal beauty
This shit breaks my heart

Facing Atlas

Of course, this is Anna von Hausswolff we’re talking about, so that line in Facing Atlas comes attached with that voice, that incredibly powerful and borderline counter-musical battering ram of an instrument, perhaps one of the only human talents on Earth that could ever hope to position itself among the maximalist sturm und drang of Von Hausswolf’s music and not be immediately crushed to pieces by the musical waves crashing all around it: “This shit breeeeea-a-ye-aaaaaaaaaayks ma heeeeeeeeeeeeeeeeeeeeeeaaaaaaaaaaaaaaaaaaaaaaaaaaaar…!!”

I’m scaring my sister and my mom