Necessary Evil 2021 (50 – 41)

50 Nick Cave & the Bad Seeds: B-Sides and Rarities II

(2021 #63, 2020 #1!, 2016 #=6, 2014 #45, 2013 #22, 2008 #12 (with the Bad Seeds) 2010 #11, 2007 #13 (with Grinderman) )

Nick Cave album number two!

Ah, fuck, am I including B-Side collections now?? I guess that shouldn’t be much of an issue, considering that there’s only a tiny, Jeremy Beadle handful of artists I would even considering purchasing a B-Side collection of. Just so you know, Manic Street Preachers‘ last B-Side collection was back in 2003. The Bad Seeds released ‘B-Sides and Rarities’ part one in 2005, so the Manics are already embarrassingly behind schedule. Sort it out, Wire. Although, to be honest, I was all ready to announce that the inherent importance of Nick Cave and the Bad Seeds have lead to them releasing the first B-Sides collection to be featured on Necessary Evil, until I remembered that Carly Rae Jepsen’s 2016 B-Side collection made #31 that year, so there really is no rhyme nor reason to it. Also, the featured image to that blog post is Al Pacino shoving cocaine into his face in Scarface, so let’s not pretend any of us has any idea what’s going on around here.

What a collection though, aye? Ammi right? Ammi right? I’m right. ‘B-Sides and Rarities’ part one was no slouch at all, containing a smattering of wonder that showed how harsh the band’s quality control had been during the first two decades of their existence considering the excellence of some of their cast-offs. It was clear that the bar to entry onto a Bad Seeds album was more stringent and difficult to pass than the best American colleges even if your mother used to be in Desperate Housewives. There were also other bits and bobs that settled debates such as whether Shane MacGowan did the best version of Lucy. He did. Debate over.

Continue reading “Necessary Evil 2021 (50 – 41)”

31 Carly Rae Jaap Stam: E•MO•TION Side B

carly

In 1974 Al Pacino gave one of the all time best cinema performances in ‘Godfather Part II’, exhibiting a subtly and nuance that would later desert him, and managing to captivate the audience to such an extent few even noticed the film lasted 200 freaking minutes. the Oscar for best actor was never in doubt

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Unfortunately, The Academy- a retirement home for aged white former cinematic plantation owners who compensate for their loss of bowel control by annually celebrating their favourite shit- was having one of those years where they decide to become completely (instead of generally) impervious to actual quality in the face of unbearable tweeness and overwhelming schmaltz, and awarded the best actor Oscar to Art Carney for ‘Harry and Tonto’, a film about an old man and a fucking cat

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The Academy soon realised they’d made a mistake though, it soon became apparent that they’d ignored an historic and legendary performance in favour of a disposable piece of nonsense that everybody had already forgotten about. They owed Al Pacino an Oscar

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Continue reading “31 Carly Rae Jaap Stam: E•MO•TION Side B”