2025’s New Gold Star Artists (and a couple of RIPs)

Sigh, I guess I should explain the rules again? To be honest, if this is one of your first times reading The Most Trusted Voice in Music then you really should start with the first post from December 1st 2014 and then read through the next 791 entries (or “chapters”, as I like to think of them) until you’re ready to read this post. Necessary Evil might be oversimply referred to as a ‘Blog’, but it’s actually more of an epic tale – a poem, really – that only sampling parts of risks lessoning its artistic impact. What’s happened to this generation’s attention spans?

OK, the criteria for qualifying for the Necessary Hall of Fame as a Gold Star Artist:

  • At least three albums
  • All albums featured on the Necessary Evil best of year countdown since 2007

There were three new Legit Bosses crowned on the the 2024 list, and here’s my ranking of their three albums so far, which will soon be added to the ongoing Hall of Fame.

And, excitingly, for the first time this year we have two artists that have brought great shame on their careers, their legacies, and their entire families by dropping out of the Gold Star Artist Hall of Fame. Both (predictably) Soccer Mommy and (perhaps surprisingly) Illuminati Hotties released records in 2024 that weren’t considered good enough for the end of year lists, so they are forever banished to the dreaded Ex-Gold Star Graveyard. There, they are both feted to rot for eternity. A ridiculously harsh ‘punishment’ for the supposed crime of releasing a record that I didn’t think was quite as good as their previous three+? Especially tough considering Soccer Mommy’s previous three albums were all released before the list shortened to 40 albums and all finished outside the top 40, so could arguably be being punished for remaining as good as they ever were?

Yes.

Sorry, SJW cuck snowflakes, take your woke ideas of fairness and ‘not treating people like shit’ back to Libtardia. This is Necessary Evil. We hit harder here.

KAPOW! CRRAACK! ZGRUPPP!

#1 070 Shake: You Can’t Kill Me (Greatest Album of 2022)

OK, let’s try and put this in some sort of perspective: I have always considered my three favourite artists of all time to be Prince, Manic Street Preachers and Nick Cave. Between all three of them they have all had a combined thirty records make the Necessary Evil end of year list and out of those thirty, two have been named the year’s best. If I wanted to throw in some faves – both problematic and less so – from the last 15-20 years I might throw in the names of Janelle Monae, The Hotelier, Kanye West, Let’s Eat Grandma, CHVRCHES or Yeasayer. Twenty three entries between them. One winner. Oh, and Radiohead have never finished first, but

Can we get this meme a medal or something?

Thirteen different artists have won Necessary Evil since it first started in 2007. Maybe fourteen, depending on your take on 2013’s infamous Arctic Monkeys/Hjaltalín controversy. No artist has ever finished first twice. Until now. 070 Shake’s ‘Modus Vivendi’ was the greatest album of 2020, and the 2022 follow-up is unquestionably the greatest album released this year, with its only viable contender being a 1982 masterpiece widely regarded as one of the greatest albums of all time. These are the only two albums she has released.

I’M IN YOUR WORLD FOR THE NIGHT, YEAH